Bigindicator

Shoot! Existential Photography

Event  |  Reviews  |  Comments
20121118104156-o
Photo-shot, Oosterhout, Netherlands, 1978 Polaroid 10.8 X 8.8cm © Erik Kessels /Courtesy Stedelijk Museum, Amsterdam /Courtesy The Photographers' Gallery
Shoot! Existential Photography
Curated by: Clément Chéroux

16-18 Ramillies Street
London W1F 7LW
United Kingdom
October 12th, 2012 - January 6th, 2013
Opening: October 12th, 2012 10:00 AM - 6:00 PM

QUICK FACTS
WEBSITE:  
http://www.photonet.org.uk
NEIGHBORHOOD:  
soho
EMAIL:  
info@photonet.org.uk
PHONE:  
+44 (0)845 262 1618
OPEN HOURS:  
Mon-Wed,Fri-Sat 10-6; Thu 10-8; Sun 11.30-6
TAGS:  
photography, installation, video-art

DESCRIPTION

In the period following World War I, a curious attraction appeared at fairgrounds: the photographic shooting gallery. If the punter’s bullet hit the centre of the target, this triggered a camera. Instead of winning a balloon or toy, the participant would win a snapshot of him or herself in the act of shooting.

Shoot! Existential Photography traces the history of this fascinating side-show – from its popular use at fairgrounds to how it fascinated many artists and intellectuals in its heyday, including Simone de Beauvoir, Jean-Paul Sartre, Man Ray and Lee Miller. The artist Erik Kessels celebrates one shooter in particular – Ria van Dijk, who took portraits of herself in this way every year from 1936 – sixty of these images feature here.

Investigating numerous analogies between taking photographs and shooting, the exhibition includes works by many contemporary artists including Sylvia Ballhause, Agnès Geoffray, Jean-François Lecourt, Christian Marclay, Steven Pippin, Émilie Pitoiset, Niki de Saint Phalle, Rudolf Steiner and Patrick Zachmann.

To artist Rudolf Steiner the camera also serves as a target. In his series Pictures of me, shooting myself into a picture, the bullet hole serves as the aperture for a pinhole camera, creating an image upon impact. The video-sound installation Crossfire by Christian Marclay is a sampling from Hollywood films that edits together those moments in which the actors on the screen begin to take aim at the movie theatre audience. For eight minutes and twenty-seven seconds, the montage transports the viewer into a visual and acoustic crossfire from all sides.

At the end of the exhibition, visitors (18+ years) have the opportunity to take their own portraits in a photographic shooting gallery.

Exhibition curated by Clément Chéroux and co-produced by the Rencontres d’Arles and the Museum Für Photographie, Braunschweig

TOP FLOOR AND BARBARA LLOYD GALLERIES