Bigindicator

Window Commission 2011

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© Courtesy of the Artist and Iniva (Institute of International Visual Arts)
Window Commission 2011

Rivington Place
EC2A 3BA London
GB
December 7th, 2011 - January 3rd, 2012

QUICK FACTS
WEBSITE:  
http://www.iniva.org
NEIGHBORHOOD:  
shoreditch, hoxton
EMAIL:  
iniva@iniva.org
PHONE:  
+44 20 7729 9616
OPEN HOURS:  
Gallery Opening Tues - Fri 11am - 6pm; Late night Thursday until 9pm; Sat 12pm - 6pm / Library: 10-12am and 1-5pm Monday - Friday
TAGS:  
textile
COST:  
Free. Available to view from Rivington Street

DESCRIPTION

Abdoulaye Konaté merges political commentary and traditional craftsmanship in Iniva's 5th annual Window Commission.

Malian artist Abdoulaye Konaté merges political commentary and traditional craftsmanship in Iniva's fifth annual window commission this December. A new large-scale textile work, created especially for the vast window space of Rivington Place, will communicate global diversity issues directly to the street.

In this new work he has drawn on the striking plumage of the guinea fowl as his starting point. He also draws upon its significance south of the Sahara where it appears in tales, legends, theatre and literature. 

The artist's work

Born in Diré, Mali in 1953, Konaté lives and works in the country's capital, Bamako. Having trained as a painter, he now works with Malian cotton creating textiles and canvases in response to a lack of availability of other materials. These large expanses of fabric play host to an array of stitched and woven symbols as well as swathes of colour.

Themes

The artist's past work effectively communicates his political concerns: be it highlighting environmental issues such as de-forestation, living under dictatorship, threatened minority groups or human rights issues. His response is not one of despair, but one of hope, exploring the human condition through thoughtful and critical expression. Here Konaté is reflecting on Malian writer Massa Makan Diabaté's comment that ‘the guinea fowl spreads out its colours over its plumage and man keeps them in his heart' (from The Hairdresser of Kouta). Konaté sees this akin to the ambiguous position heads of governments take with respect to religion.

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