Martin Honert, Schlafsaal, 2009.
Martin Honert is number 21 of the Bloomberg Space ongoing Comma project, launched in 2009 with the intention of showcasing thirty of the most outstanding and established international artists. The programme is curated by Sacha Craddock (the chair of New Contemporaries and an ex Turner Prize judge) and Vanessa Desclaux (a critic who has writes for a number of publications, but you may recognise her from A:N). It is fast paced, with each show lasting only a few weeks. I can't claim to have seen every one, but I've seen a fair few and Honert's show successfully maintains the high standards of this successful series.
It is this act of remembering, or mis-remembering, which drives Honert's work. In a video in the rear gallery space, schoolchildren stand in a tiered formation, rigid for the frame. Medicine balls of red and black leather, of different sizes and states are arranged on the floor in the same area. There is something touching and almost a little desperate about this struggle to recall and reconstruct the objects and images of the past. When transferred from the delicate cradle of memory to the great white room of the gallery, these works seem to dissolve, dissipating like the tired thoughts of someone waking from a long sleep.