The Artist’s Life: A Jazz Opera workshop by George Herms in Beverly Hills
269 235 Beverly Dr
Bevelry Hills, CA 90210
“Opera Workshop” is the umbrella title of two blended, process-based installations that set out to develop ideas and create a zone of play, flexibility, and collaboration in the heart of a busy commerce district. “Opera Workshop” consists of two projects:
*”Amaze,” by Farmlab Team; and
*”The Artist’s Life: A Free Jazz Opera” workshop by George Herms
*August 18 @ 7-9pm: Free Jazz Opera workshop performance by George Herms & jazz musicians
*August 25 @ 10pm: Free Jazz Opera performance by George Herms & jazz musicians
August 13, 14, 17 Rehearsals
collaboration located in the heart of a renowned commerce district
where passers-by are offered constant opportunities to consume, but
far fewer to build and make.
Utilizing a palette of salvaged materials (steel rods, telephone wire,
kimonos, etc.), and inspired by the assemblage work and recycling
ethos of George Herms – himself a recent Farmlab artist-in-residence –
Farmlab team members have since mid-July been working to transform the
large, ground-floor lobby area of this former bank building.
MORE ABOUT WORKSHOP ON AUGUST 18, 2007 @ 7-9PM
On this evening, Herms and musicians will workshop, "Act Two: Away." Jazz musicians joining Herms on 8/25 are: Roberto Miranda (bass), Bobbie Bradford (cornet), Vinnie Golia (reeds), Clayton Cameron (drums), Miguel Atwood-Ferguson (viola) Diane Briscoe (vocals).
MORE ABOUT WORKSHOP ON AUGUST 25, 2007 @ 10PM
On this evening, Herms and musicians will workshop, "Act One, Scene One: A Sculptor's Studio," a salute to john Coltrane. A spiral staircase will be elevated, and a large spherical buoy played. Jazz musicians joining Herms on 8/25 are: Theo Saunders (piano), Adar Lawrence (tenor sax); Henry "The Skipper" Franklin (bass); Ramon Banda (drums); David Dalston (trombone). Levitation of the spiral staircase is courtesy of Bill Gray.
AMAZE aims to explore the idea of collaborative endeavors as the
result of individual acts. Rather than decide every move together,
Herms and Farmlab build separately, in different sections of the
venue. The end result is a loose framework that likely – or not – will
fit together. Farmlab is a collective dedicated to the preservation
and perpetuity of living things. More info @ www.farmlab.org
MORE ABOUT MAURA BENDETT
Art in America, Dec, 1997 by Michael Duncan
Like portholes that reveal candy-colored, fairytale worlds, Maura
Bendett's new tondo reliefs emphasize the fantasy element of
decoration. Bendett arranges cutout drawings of flowers in 5-foot,
allover compositions. She draws on dear and colored sheets of acetate.
adding hues to her images with tinted glues. The drawings are then cut
out and sewn together with fishing line to create weblike circles
which are attached to the wall with nails, leaving a 1-inch gap so
that light can shine through the translucent acetate to the wall. The
result is an effect reminiscent of stained glass.
Bendett's loose drawing style references both doodles and the bold
forms of Matisse's cutouts, giving her works a casual, free-from
grace. Glued-on seeds and pod fragments add texture, along with the
varied thickness of the colored glues. In Disintegrating Flowers, a
border of red, fuzzy-felt flowers sets off the busy bouquet. Green,
plastic-coated wire spirals out from the edges of East of the Sun and
West of the Moon, recalling one of the fanciful frames of Florine
Stettheimer. The extenuated tendrils and languishing fronds of this
work, along with its loopy sense of color, also seem indebted to
Stettheimer's flower paintings. Bendett's are sexy, fanciful still
lifes that assert an elegant outlandishness. With its palette of blues
and greens. Sea Breeze integrates underwater plants and creatures into
a vivid mix. A gaggle of blue and yellow lobster are arranged Busby
Berkley-style around a central blue flower, giving the piece a feeling
of wafty aqueous growth. The elevator shaft of Post--a gallery in the
downtown loft of artist Habid Kheradyar--has been the site of some of
the most imaginative installations of the past year. Visible from the
elevator's open, roofless cab, Bendett's 21-foot-high papier-mache
relief in the form of a plant. Object Resemblance, makes the ride to
the second floor an updated version of Jack's excursion up the
beanstalk. In Day-Glo and fluorescent limes and greens, stalky
tendrils flow up the wall, blossoming with autumnally shaded pods and
reddish fruits that dangle on wires like vegetal earrings. Purple
papier-mache pods on stems resemble half-sucked Tootsie Roll Pops. The
curvaceous splendor, luminous colors and cartoony humor of this work
make it the best example to date of Bendett's quirky literalization of
COPYRIGHT 1997 Brant Publications, Inc._COPYRIGHT 2004 Gale Group
MORE ABOUT ROLAND REISS
ROLAND REISS is a painter and sculptor from Southern California who
has exhibited extensively in the United States and abroad. His work
has been seen at the Whitney Museum of American Art, and Documenta in
Kassel, Germany. Exhibitions include museums in Brazil, Mexico, China,
Canada, Italy, Germany, Japan and Taiwan. He is the recipient of four
NEA (National Endowment for the Arts) grants and of more than forty
prizes and awards. His work is located in many public, corporate and
Since 1992, Reiss has concentrated exclusively on abstract painting.
He studied at the American Academy of Art and UCLA, and later taught
painting and drawing at UCLA and at the University of Colorado. He
later joined the faculty at Claremont Graduate College, where he was
Chair of the Art Department for 29 years and Benezet Professor of the
Humanities. He has served as Director of the Center for the Arts, and
is currently the Director of "Paintings Edge," an advanced program in
painting for Idyllwild Arts.
Oral History Interview
MORE ABOUT PHANTOM GALLERIES LA
Phantom Galleries LA is a Los Angeles County-based organization that
transforms unoccupied storefronts and spaces into temporary art
galleries. Exhibits are curated by local arts organizations, Los
Angeles-based galleries, independent curators, and Los Angeles-based
artists. The project gives artists an opportunity to exhibit their
work, while promoting the creative community to a broader audience and
keeping the area looking vital and culturally exciting. The spaces are
lit and on view 24 hours a day.
Phantom Galleries offers a special thank you to the City of Beverly
Hills Economic Development Office for their continued support and
assistance in launching the Beverly Hills Phantom Galleries LA
program. "In Beverly Hills we believe that a vital economy needs an
active art and cultural core." – Alison Maxwell, Director of Economic
Development and Marketing for the City.
For more about the City's Public Art Program, log onto www.beverlyhills.org.
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