Women Artists of Southern California Then and Now
In conjunction with the exhibition, readings and performances will take place on Saturday, June 16, at 7 P.M. including poet/writer Deena Metzger, musician Jami Sieber, and Eloise Klein Healy. A panel discussion will be held on the closing evening of the exhibition on Saturday, June 30, at 7 P.M. featuring artist June Wayne.
The emphasis on women artists’ work is important and long overdue. This exhibition attempts to create a bridge in time. The thirty-year gap between Then (the seventies) and Now (the present) constitute many years of art creation and work by the artists in this exhibition.
The exhibition features the work of thirty-six female artists residing in Southern California who have made art since the 1970s and continue to do so. Among these artists are Lita Albuquerque, Jacki Apple, Nancy Buchanan, Mariona Barkus, Diane Buckler, Karen Carson, Barbara Carrasco, Carole Caroompas, Bernice Colman, Jacqueline Dreager, Marion Estes, Bruria Finkel, Cheri Gaulke, Gilah Yellin Hirsch, Channa Horwitz, Connie Jenkins, Ynez Johnston, Lies Kraal, Leslie Labowitz, Lili Lakich, Ann McCoy, Robin Mitchell, Luchita Mullican, Margaret Nielsen, Sheila Pinkel, Astrid Preston, Fran Raboff, Erika Rothenberg, Rachel Rosenthal, Deborah Sussman, Ruth Weisberg, Faith Wilding, June Wayne, Miriam Wosk, Harriet Zeitlin, and Connie Zehr.
The artists in this exhibition consider themselves feminists. They reflect on their experiences while expressing formal concerns and inventing languages that reveal historical and contemporary connections.
An exhibition catalogue made possible by the combined effort of both the women artists of this exhibition and friends of the arts will be available for purchase for the duration of the show. This exhibition recognizes and is part of The Feminist Art Project: a project originated at Rutgers University to focus national attention on women artists in the year 2007.
Brief history in context:
The Art and Technology exhibition at LACMA in 1968 did not include women artists. This event precipitated many objections and stimulated women artists to create the Women Artists Council of Los Angeles. The Council did a survey of the Museum and counted the number of women artists’ work that was actually hanging on the walls at that time: they found one Dorothea Lange photograph. The Women Artists Council filed a discrimination petition with the California State Senate that was read on the Senate floor. The petition opened up a dialogue between the Women Artists Council of Los Angeles and the Board of Directors at LACMA and gave rise to the important groundbreaking exhibition, Women Artists: 1550–1950 which was exhibited five years later.
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