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Four Abstract Classicists

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Around a round, 1959 Oil on Canvas 73.03 X 93.98 X 4.45 Cm © Frederick Hammersley Foundation
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Hardedge Line Painting, 1963 Enamel on Canvas 72 X 60 In. (182.88 X 152.4 Cm), Anonymous Gift Through the Contemporary Art Council (M.64.7), Modern Art © The Feitelson / Lundeberg Art Foundation
Four Abstract Classicists

5905 Wilshire Avenue
Los Angeles, CA 90036
December 21st, 2013 - June 29th, 2014
Opening: December 21st, 2013 11:00 AM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.lacma.org/
NEIGHBORHOOD:  
mid-wilshire
EMAIL:  
publicinfo@lacma.org
PHONE:  
323-857-6000
OPEN HOURS:  
Mon-Tue,Thu 12-8; Fri 12-9; Sat-Sun 11-8
TAGS:  
abstract

DESCRIPTION

Four Abstract Classicists features hard-edge abstractions from LACMA’s collection by Karl Benjamin, Lorser Feitelson, Frederick Hammersley, and John McLaughlin. The term “abstract classicists” was coined in 1959 by curator and critic Jules Langsner to define these four southern California painters whose work he grouped in a seminal exhibition that year at the Los Angeles County Museum in Exposition Park (prior to LACMA’s existence as an independent art museum). The work exemplified the generational shift in the late 1950s and early 60s from the energetic brushwork of Abstract Expressionism to the cooler aesthetics of Pop Art and Minimalism.

The abstract classicists painted forms that are, in Langsner’s words, “finite, flat, rimmed by a hard clean edge…not intended to evoke in the spectator any recollections of specific shapes he may have encountered in some other connection. They are autonomous shapes, sufficient unto themselves”—that is to say, pure abstractions.