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Tea and Morphine: Women in Paris, 1880 to 1914

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Morphinomanes ou Le plumet [Morphine Addicts or The Plume], 1887 Etching, Drypoint and Aquatint 12 3/4 X 17 In. © Courtesy of Hammer Museum
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La Morphinomane [The Morphine Addict] , 1897 Color Lithograph 22 ½ X 16 7/8 Inches © Courtesy of Hammer Museum
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La source du mal [The Source of Evil], 1894 Color Lithograph 13 5/8 X 9 15/16 © Courtesy of Hammer Museum
Tea and Morphine: Women in Paris, 1880 to 1914

10899 Wilshire Boulevard
Los Angeles, CA 90024
January 26th, 2014 - May 18th, 2014
Opening: January 26th, 2014 11:00 AM - 5:00 PM

QUICK FACTS
WEBSITE:  
http://www.hammer.ucla.edu
NEIGHBORHOOD:  
culver city/west la
EMAIL:  
info@hammer.ucla.edu
PHONE:  
310-443-7000
OPEN HOURS:  
Tue-Fri 11-8; Sat-Sun 11-5
TAGS:  
etching

DESCRIPTION

 

Whether as angelic creatures or exotic lures, women filled the imaginations of artists and constituted the great subject of fin-de-siècle art. Those who had leisure time were depicted relaxing with an afternoon cup of tea, as seen in a Mary Cassatt etching, whereas other artists portrayed the drug addiction common to women facing harsh economic realities. These extremes, and the positions in between, set the parameters for the exhibition of approximately 100 works, which includes prints as well as rare books and ephemera (such as menus, theater programs, and music scores). This array of objects gives the exhibition an intimate quality, revealing much about how women – and men – lived their lives during a time of great social upheaval and artistic innovation.

This will be the first, large-scale exhibition of the Elisabeth Dean Collection since a 1986 exhibition at the Fresno Art Museum, when the collection was only six years old. Tea and Morphine will be the public’s first opportunity to appreciate the growth of the Elisabeth Dean Collection and to understand the scope of this important body of work.
 

 

Tea and Morphine is co-curated by Cynthia Burlingham, Director, Grunwald Center for the Graphic Arts and Deputy Director, Curatorial Affairs at the Hammer Museum, and Victoria Dailey, Independent Curator.