XOXO & Josh Kline
Night Gallery is pleased to present "XOXO" a group exhibition with work by Cara Benedetto, Anne Collier, Natalie Czech, Jennifer Boysen, Alika Cooper, Shannon Ebner, Davina Semo, Josephine Pryde, Rachel Rose, Kandis Williams, Sara VanDerBeek and Erika Vogt. "XOXO" opens Saturday November 16th from 7-10pm and runs until Friday December 20th.
DESIGNED IN CALIFORNIA
Generative surveillance architecture. Seductive ergonomic personal data-gathering devices. The open office is a space where your boss and your coworkers can see everything you do. A place of always-on optimization where downtime is rebranded as a character-flaw and late afternoon distraction equals moral failure. Every conversation can become a potential opportunity for demotion, dismissal, or professional immolation. Productivity enhancing ultra-transparent anti-privacy zones. Relax, you’re on a working vacation vacation working.
The American mind is a Californian colony. Palo Alto artificial neurons are putting more and more of your unreliable and unprofessional brain’s tender thinking tissues out of a job. Trader Joe’s is the San Franciscan embassy. The Apple Store is Silicon Valley’s local consulate. Google’s free cloud-based software is the Golden State’s secret service in-home garrison. In the second century of the self, all that’s left of you is your taste and your credit card trail.
You can be anyone you can imagine on your Facebook profile, but don’t expect a paycheck for your efforts. Since you can’t afford a car, maybe you can skate to work? It’s not downward mobility if it’s a lifestyle accessory, is it? Smile! A successful career in the service economy requires a positive attitude and relentless charm. Would you like bottled or tap? Sparkling or still or CGI? In your flattery bath.
Josh Kline (b. 1979, Philadelphia, PA) has exhibited extensively throughout the United States and Europe at institutions and galleries such as the Fridericianum in Kassel, MoMA PS1 in New York, Night Gallery in Los Angeles, and Galerie Christine Mayer in Munich. His work has been written about in Artforum, Mousse, Art in America, The New Yorker, The New York Times, DISMagazine, and Frieze. He is represented by 47 Canal in New York.