Modern Architecture in L.A.: A Confederacy of Heretics: The Architecture Gallery, Venice, 1979 - Discussion
960 E. Third St.
Los Angeles, CA 90013
Todd Gannon, Ewan Branda, Andrew Zago and SCI-Arc Director Eric Owen Moss discuss the exhibition
This SCI-Arc-hosted exhibition examines the pivotal role played by the temporary gallery held in the home of architect Thom Mayne for several weeks in 1979. Los Angeles’ first gallery exclusively dedicated to architecture, the Architecture Gallery staged ten weekly exhibitions on both young and established Los Angeles practitioners, featuring the work of Eugene Kupper, Roland Coate Jr., Frederick Fisher, Frank Dimster, Frank Gehry, Peter de Bretteville, Morphosis (Thom Mayne and Michael Rotondi), Studio Works (Craig Hodgetts and Robert Mangurian), and Eric Owen Moss. Opened with a lecture by another young architect, Coy Howard, public presentations by architects to accompany their exhibitions were hosted at SCI-Arc, then located on Berkeley Street in Santa Monica.
An immersive showcase of spectacular models, drawings and media will be mounted in two spaces located on the SCI-Arc campus, the main gallery and the Kappe Library Gallery. The exhibition will present a collection of models, drawings, and other materials shown during the original 1979 exhibitions, including drawings and models of Eric Owen Moss’ Morganstern Warehouse, Pinball House and Pasadena Condominiums; multimedia studies of Frederick Fisher’s Caplan House and Observatory; large-scale models and drawings of Studio Works’ South Side Settlement House and Nicollet Island project; Prismacolor renderings of Roland Coate’s Cabo Bello project; drawings of Eugene Kupper’s UCLA Extension Building; and additional projects representing each of the participating practices. These objects were executed across a wide spectrum of formats and media, and many of them have not been exhibited since 1979.
Boasting photographic documentation, video recordings, and important commentary from the period by Los Angeles Times critic John Dreyfuss, this exhibition aims neither to canonize the participating architects nor to consecrate their unorthodox activities. Rather, these rarely seen artifacts will provide a unique lens through which to re-examine some of Los Angeles’ most well known architects at a pivotal moment in the development of late 20th century architecture.