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No Man's Land

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Gromatici, 2013 Catlitter, Cat Toys, Fiberglass Statue and Steel 82 X 36 X 32 Inches © Courtesy of the Artist and OHWOW Los Angeles
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Microscope , 2012 C-print 56 X 40.5 Inches © Courtesy of the Artist and OHWOW Los Angeles
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Installation view © Courtesy of the Artist and OHWOW Los Angeles
No Man's Land

937 N. La Cienega Blvd.
Los Angeles, CA 90069
February 22nd, 2013 - April 6th, 2013
Opening: February 22nd, 2013 7:00 PM - 9:00 PM

QUICK FACTS
WEBSITE:  
http://moranbondaroff.com
NEIGHBORHOOD:  
culver city/west la
EMAIL:  
info@moranbondaroff.com
PHONE:  
+1 310 652 1711
OPEN HOURS:  
Mon-Sat 11-6
TAGS:  
photography, installation, landscape, sculpture

DESCRIPTION

OHWOW is pleased to announce Nick van Woert's first solo exhibition with the gallery, titled No Man's Land, on view from February 22 through April 6, 2013, at 937 North La Cienega Boulevard. Van Woert's Los Angeles premiere presents a new body of work focused on topics concerning the natural environment, material chemistry, and the progress of civilization.

"No man's land" is a term used to refer to unoccupied land, a dumping ground, or an area abandoned due to uncertain fate. This idea of an uninhabitable region relays van Woert's continued obsession with ecology, geology, and the complex history of terrain – one that is both inherent and fabricated. Through painting, photography, sculpture, and installation, No Man's Land explores the relationship between artificial substance and the environment, while considering the possible results of those liaisons affecting anatomy or mental disposition.

A series of ten paintings, each a monochromatic panel, references colors found in landscape paintings of the American West from the 1800s. Minimalist in appearance, these works are in fact concocted from myriad man-made products ranging from cat litter to orange soda. The dichotomy, present due to the toxic chemistry of substances used to describe natural properties of pristine landscapes, translates van Woert's fixation with the destructive potential of modern convenience.

Van Woert transitions to conveying the broader directive of a primitivist lifestyle with a large-scale installation. Its physical appearance literally implies a simple log cabin wall, yet the visual manifestation of its presence posits a foreboding symbol. The individual elements, constructed of cast coal slag, have a black, sooty facade, giving the impression of partial remains left after a fire. The visual extreme in this work – a modest structure with a tragic past – points to the vulnerability and possibly idealistic notion of practicing true "simple living."

No Man's Land examines deep ecology, radical environmentalism, and dark histories of the American landscape, yet this comprehensive exhibition advances the subtext by proposing a narrative: a dissection of the architecture of anarchy. Van Woert's artistic process and resulting work acts as much as a rebellion or battle – with material and concept – as it aims to organize entropy.

Nick van Woert (b. 1979, Reno, NV) is a Brooklyn-based artist. He received his MFA from Parsons in 2007 and also completed residencies at Zabludowicz, in Sarvisalo, FI, and The Edward Albee Foundation in Montauk, NY. His work has shown widely, both nationally and abroad, including recent solo exhibitions at Grimm, Amsterdam, NL, and at Yvon Lambert, Paris, FR. Van Woert has also shown recently in group exhibitions at the Margulies Collection, Miami, FL; Hauser & Wirth, New York, NY; and Rosenblum Collection, Paris, FR.