Emotional Transcendence

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Emotional Transcendence

5458 Wilshire Blvd.
90036 Los Angeles
May 22nd, 2012 - June 16th, 2012
Opening: May 26th, 2012 5:00 PM - 8:00 PM

Other (outside areas listed)
Tuesday - Saturday 11 am - 5 pm
mixed-media, landscape, figurative, traditional


Emotional Transcendence

May 22, 2012 - June 16, 2012

Featuring Artists: Shelley Adler, Shelley Lazarus, Joan Vaupen

Opening Reception: Saturday, May 26, 2012, 5-8 p.m.

Conversation with the Artists: Saturday, June 9, 2012, 3 p.m.

Dread, Shelley Adler

In her new series of paintings, Shelley Adler tackles the emotional and psychological issues associated with the word “Dread.” She acknowledges a shift in societal values that has altered the mood and tone of her own art and life. Politics, social order, and psychological insight have ultimately informed her oil on gessobord portraits.  Adler’s subjects draw parallels to those of Dorothea Lange’s Depression-era portraits, expressing the ‘Dread’ experienced by the average American in moments of uncertainty and chaos. 

Moments, Shelley Lazarus

Shelley Lazarus’s new show, Moments, captures intimate glimpses of personal and sentimental moments in her life. Painted not only with her signature watercolor technique, but also in acrylics, graphites and crayons, Lazarus’s work combines saturated hues with expressive brushstrokes.  Her landscapes depict urban New York street scenes, Ventura’s orchards and seaside, and the vineyards of the Rhineland which are reminiscent of Cezanne’s watercolor landscapes. Through her paintings, Lazarus reminds us of those moments that we often take for granted.

A New Reality, Joan Vaupen

Joan Vaupen’s abstract and vibrant works in her show New Reality experiment with the evolution of time, form, and color in various media. The mysterious and nebulous forms which fill the frame of Vaupen’s monoprints on archival paper ebb and flow into one another, transitioning in color and shape. Vaupen translates Salvador Dalí’s Face of Mae West Which May Be Used as an Apartment into her own interpretation as a mixed media collage. Her transposition of the past breathes new life into previous Surrealist works, evoking a sense of renewal and regeneration.