A Tribute to Mike Kelley
This exhibition is dedicated to the work and legacy of Mike Kelley (b. 1954, Detroit; d. 2012, Los Angeles). Since the late 1970s, Kelley has had a far-reaching influence on the Los Angeles art community, whether through his groundbreaking performances, installations, sculptures, and works on paper; his insightful critical writings; or his deep commitment to artists, as a peer and a teacher. Over the last three decades, his influence has extended to MOCA, with donations of his own works as well as those by local and international artists that have profoundly shaped the museum’s permanent collection.
A Tribute to Mike Kelley will encompass 23 of Kelley's works as well as works by John Altoon, Cody Choi, Douglas Huebler, William Leavitt, Marnie Weber, and Johanna Went, donated to MOCA by Kelley. Included will be eight parts of Kelley's 1982-83 performance and installation Monkey Island, a sexually charged adolescent cosmology represented by insects and monkeys, gifted in 1986 by the El Paso Natural Gas Company Fund for California Art, as well as four related works donated by Lannan Foundation in 1997; the sculptural installation Silver Ball (1994), given as a partial and promised gift by Blake Byrne in 2004; Two and Three Dimensions (1994); and Empathy Displacement: Humanoid Morphology (2nd and 3rd Remove) #3 and #7 (1990), gifted in 2007-08 by Alan Hergott and Curt Shepard.
MOCA currently has 34 of Kelley's works in its holdings; they have been included in more than 20 permanent collection exhibitions, such as Sitings: Installation Art 1969-2002 (2003), Collection: MOCA's First Thirty Years (2009), and The Artist's Museum (2010). His work has also been featured in numerous group and thematic exhibitions, from MOCA's inaugural The First Show: Paintings and Sculpture From Eight Collections 1940–1980 (1983) to Individuals: A Selected History of Contemporary Art, 1945–1986 (1986); A Forest of Signs: Art in the Crisis of Representation (1989); Helter Skelter: L.A. Art in the 1990s (1992); Out of Actions: Between Performance and the Object, 1949–1979 (1998); and, most recently, Under the Big Black Sun: California Art 1974–1981 (2011). In 2004, Kelley co-organized Street Credibility, an exhibition of photographs by Diane Arbus, her peers, and artists she inspired.
A retrospective of Kelley's work is currently being organized by the Stedelijk Museum in Amsterdam and will travel to MOCA in 2014.