Folding Paper: The Infinite Possibilities of Origami

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03M (Partial Shell), 2010 Watercolor Paper, Wet Folded. Photo © Richard Sweeney
Folding Paper: The Infinite Possibilities of Origami
Curated by: Meher McArthur

369 East First Street
Los Angeles, CA 90012
March 10th, 2012 - August 26th, 2012
Opening: March 10th, 2012 11:00 AM - 5:00 PM

downtown/east la
(213) 625 0414
Tue-Wed, Fri-Sun 11-5; Thu 12-8; Closed Mondays, Fourth of July, Thanksgiving Day, Christmas Day, and New Year’s Day


Folding Paper: The Infinite Possibilities of Origami is the first museum exhibition to explore the history of paper folding, the works of the world’s foremost origami artists, and the connection between origami and mathematics, science, and design.

Origami, or Japanese paper folding, began centuries ago in Japan, probably in religious ceremonies and as a pastime of Court nobles. By the 17th century, much of the population was folding birds, animals, and boxes. Paper folding was also practiced in Europe and became well established there by the 19th century. In both regions, the practice was regarded primarily as a children’s craft or hobby for adults with nimble fingers. It was not considered “art” until the mid 20th century, when folders around the world began experimenting with different styles, techniques, and materials. Now, origami is a sophisticated international art form worthy of museum exhibition, collection, and scholarship.

The exhibition showcases contemporary origami by renowned artists from countries as diverse as Japan, the United States, Uruguay, and Russia. It presents them within the context of origami history and examines the many evolving styles of origami today, from representational figures from nature to modular geometric forms and abstract sculptures.

The exhibition also examines the relationship between origami and art, science, and mathematics, and demonstrates its tremendous impact in areas as diverse as space exploration, medical research, and fashion design. Lastly, Folding Paper explores origami—particularly the beloved crane—as a powerful tool for world peace.

The exhibition is curated by Meher McArthur, with Robert J. Lang as exhibition advisor, and organized by the Japanese American National Museum, Los Angeles, and International Arts & Artists, Washington, DC. The exhibition was generously supported by the E. Rhodes & Leona B. Carpenter Foundation.
International Arts & Artists

Support Provided by
The James Irvine Foundation Pasadena Arts Alliance Japan Foundation

Support for Related Public Programs Provided by
Department of Cultural Affairs, City of Los Angeles County of Los Angeles Target

Media Sponsors
The Rafu Shimpo LA-18 KSCI-TV UTB18.2