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Echoes of Japan: The Prints of Henri Rivière (1864-1951)

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20111123130018-1989
The Institute and the Ile de la Cité (L’Institut et la Cité), , 1900 Lithograph. © Santa Barbara Museum of Art, Gift of Sara and Armond Fields.
Echoes of Japan: The Prints of Henri Rivière (1864-1951)
Curated by: Rachel Sloan

1130 State Street
Santa Barbara, CA 93101
November 23rd, 2011 - January 1st, 2012

QUICK FACTS
WEBSITE:  
http://www.sbma.net
NEIGHBORHOOD:  
santa barbara
EMAIL:  
info@sbma.net
PHONE:  
805-963-4364
OPEN HOURS:  
Tuesday-Sunday 11 am to 5 pm. Closed Monday.
SCHOOL ASSOCIATION:  
Parisian 19th century Avant-garde
TAGS:  
print making, wood cuts
COST:  
$9 adults, $6 seniors & students with ID and children ages 6-17.

DESCRIPTION

Admiration for Japanese art was a defining characteristic of the Parisian artistic avant-garde in the late 19th century. Henri Rivière took his appreciation further than most, teaching himself the labor-intensive woodblock technique used by Japanese printmakers and using it (and later lithography) to produce print albums that deliberately emulated theirs – most famously, Thirty-Six Views of the Eiffel Tower, a modern, urban take on Hokusai’s Thirty-Six Views of Mount Fuji. This exhibition, the first to showcase SBMA’s extensive holdings of Rivière’s work, traces his career from his early days as a designer of shadow plays for the Cabaret du Chat Noir to the albums of Parisian cityscapes and Breton landscapes with which he made his name.