Modern Antiquity: Picasso, de Chirico, Léger, and Picabia in the Presence of the Antique

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Nude on Red Background, 1927 Oil On Canvas 51 1/8 X 32 In. Hirshhorn Museum And Sculpture Garden, Smithsonian Institution, Washington, Dc, Gift Of The Joseph H. Hirshhorn Foundation, 1972. Photography By Lee Stalsworth © 2011 Artists Rights Society (ARS), New York / ADAGP, Paris
Modern Antiquity: Picasso, de Chirico, Léger, and Picabia in the Presence of the Antique

17985 Pacific Coast Hwy.
90272 Malibu
November 2nd, 2011 - January 16th, 2012
Opening: November 2nd, 2011 10:00 AM - 5:00 PM

santa monica/venice
(310) 440-7300
Wed-Mon 10-5


Juxtaposing 20th-century works with ancient objects, this exhibition focuses on how four eminent artists reinvented and transformed the artistic legacy of antiquity. Classicizing creations such as Giorgio de Chirico's enigmatic piazzas, Pablo Picasso's postcubist women, Fernand Léger's mechanized nudes, and Francis Picabia's "transparencies" made the arts of antiquity modern. The Getty Villa—a reconstruction of an ancient Roman house—and its antiquities collection provide a unique environment to experience modern art in relation to the classical past.

Picasso, de Chirico, Léger, and Picabia all looked to classical antiquity to feed their imaginations and yet remained radical figures in early 20th-century art. These avant-garde artists had no wish to return to a lost past; the antiquity they knew, primarily in museums, was for them a vital element of contemporary life. Their supporters believed that profound affinities existed between ancient and modern works. But these artists did not view antiquity as another culture to be compared with theirs. It was—for each of them in a different way—such a part of their present-day experience that it was in effect modern.

The modern works by Picasso, de Chirico, Léger, and Picabia featured in this exhibition are displayed alongside ancient art, continuing a dialogue between the modern and the antique that is still alive today. Exploring three thematic categories—stories, bodies, and objects—the exhibition illuminates what these 20th-century artists found arresting in ancient culture. As they have embraced and transformed antiquity, their works inform how we now perceive classical art.

This exhibition has been organized by the J. Paul Getty Museum in association with the Musée Picasso, Antibes, and is supported by an indemnity from the Federal Council on the Arts and the Humanities. Generous funding has been provided by the Villa Council.

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