Recent Works 1999-2010

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Cherry Tree, Early January , 2004 Oil On Board 56 1/8 X 48 1/4 In. (142.5 X 122.5 Cm) © Courtesy of the Artist and L.A. Louver
Recent Works 1999-2010

45 North Venice Blvd.
90291 Venice
September 8th, 2011 - October 8th, 2011
Opening: September 8th, 2011 6:00 PM - 8:00 PM

santa monica/venice
Tue-Sat 10-6


Venice, CA – L.A. Louver is delighted to announce an upcoming exhibition of recent work by the renowned British artist Leon Kossoff (b. 1926). The exhibition opens on 8 September, and includes over 25 paint­ings and drawings the artist has created over the past eleven years.

L.A. Louver has represented Leon Kossoff since 1979, which was also the year the artist’s work was seen in the gallery’s influential exhibition of British painters: This Knot of Life. Since this time -- during more than three decades of representing the artist (including ex­clusive worldwide representation since 1995) -- L.A. Louver has proudly assisted in the organization of museum exhibitions in Europe, the United States and Australia. However, Leon Kossoff Recent Works: 1999-2010 marks the first time since 1993 that both paintings and drawings by the artist have been exhib­ited at L.A. Louver.

Captured in a series of paintings, and central to the exhibition, is Kossoff’s poignant depiction of a lone cherry tree that stands in the garden of his north London home. Two wooden stakes support the leaning, aged tree, and bestow dignity upon its form. Painted over several years (2002-2008), Kossoff portrays the tree during the change of seasons, imbuing it with time and a fragile lifeforce. Kossoff instills his noble subject with a vital presence, as it shares the picture plane with an occasional human figure, or train that passes in the distance.

In conjunction with the landscapes, Kossoff has painted a series of portraits, or to use Kossoff’s own word, “heads.” Intensely personal, and among the most intimate and revealing of his long career, Kossoff paints three models who have captured his imagination for several decades: his wife Peggy, artist John Lessore, and friend Fidelma Kavanaugh. The landscapes and figures are complemented by three large paintings of Hawksmoor’s architectural masterpiece, Christchurch, in Spitalfields, London. Kossoff’s first paintings of this subject were featured in his 1996 Tate retrospective, and graced the cover of the accompanying catalogue.

The recent paintings will be recognized for Kossoff’s custom­ary use of thick impasto, compositions that seem to be sculpt­ed out of oil, and for the threads and skeins of paint that trail across the surface of the work. Representational compositions appear through an open-weave of abstract mark-making that both energizes the work and conveys an impression of delica­cy. The palette is lighter, with a more translucent and airy qual­ity compared to previous paintings: pale greens, flesh tones, and muted yellows, blues and grays dominate Kossoff’s spec­trum. The influence of Kossoff’s life long study of old masters -- including Titian, Tintoretto, Veronese, Poussin, Rembrandt, Rubens, Constable and Cézanne -- especially over the past 15 years, infuse these recent works.

The five drawings in the exhibition all depict the artist’s be­loved cherry tree. Created in charcoal, the drawings represent Kossoff’s early and urgent response to the subject and were crucial to the development of the paintings.

Leon Kossoff (b. 1926) is one of Britain’s greatest living artists. His most recent US museum exhibitions are Drawn to Painting: Leon Kossoff, Drawings and Prints after Nicolas Poussin, Los Angeles County Museum of Art (traveled to National Gallery of Australia, Canberra, in 2002) and After Nicholas Poussin: New Etch­ings by Leon Kossoff, Metropolitan Museum of Art, New York and the J. Paul Getty Museum, Los Angeles, 2000. Exhibitions worldwide also include Leon Kossoff: Drawing from Painting, National Gallery, London, 2007; Leon Kossoff: Selected Paintings, 1956-2000, Louisiana Museum of Modern Art, Humblebaek, Den­mark, 2004-5 (traveled to Museum of Art Lucerne, Switzerland, 2005); a major retrospective at the Tate Gallery, London, 1996, and representing Britain in the XLVI Venice Biennale, 1995 (exhibition traveled to Düsseldorf Kunstverein, and Stedelijk Museum, Amsterdam 1995-96).

Since 2000, L.A. Louver has partnered with Annely Juda Fine Art, London, and Mitchell-Innes & Nash, New York to strengthen Kossoff’s representation worldwide. This presentation of the artist’s recent paintings and drawings at L.A. Louver completes the tour of this exhibition, which began in London at Annely Juda Fine Art (28 October – 17 December 2010) and traveled to Mitchell-Innes & Nash in New York (5 May – 18 June, 2011). A fully illustrated hardback catalogue, with texts by Leon Kossoff and Lawrence Gowing, and co-published by L.A. Louver, Annely Juda Fine Art and Mitchell-Innes and Nash, accompanies the exhibition.

The exhibition is in collaboration with, and was shown at:
Mitchell-Innes & Nash, New York
5 May - 18 June 2011 and

Annely Juda Fine Art, London
29 October - 17 December 2010
A catalogue will be published on the occasion of the exhibition with text by Lawrence Gowing