Steve Hurd returns to Rosamund Felsen Gallery with his most recent work, "Five Fictions," a group of eight paintings that not only depict their mythical subjects, but also the act of creating them in paint. This is perhaps most evident in a series called "Fairy Business," in which Hurd first sculpts, then photographs arranged swarms of fairies, each assigned their own color; he then uses those images to trace in paint the paths and distances each fairy has traveled with their little paint brushes, allowing an imaginative process to direct the work towards a kind of guided abstraction. In another piece, “End of The Road,” a large-scale painting confronts the viewer with a full size semi-trailer truck, driven by a pair of mummified zombies. As the title implies, this could be the last thing you ever see, or, on the other hand, it could be about the end of petroleum based technologies, like the truck it depicts. As with much of Hurd's work, there is not only an interest in documentation through paint, but also an intention to preserve the moments that comprise the creation of the completed work. Through layering and drippy application, Hurd endows each of his painted subjects with their own memory. In "Tower of Babel," he has painted, in trompl l'oeil, seven obsolete reel-toreel video decks stacked to a height of nine feet. Hurd is using the pre-industrial medium of paint to inject new meaning into a now defunct product of post-modern media, proving that painting is indeed not dead, and in fact thriving, even while many of the promises of industrial production, in this case magnetic recording equipment, become nothing but unusable relics.