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Dan Graham is pleased to begin the new season with mark verabioff abled woman train wreck hard fuck hairy la, a solo exhibition by Los Angeles artist Mark Verabioff. Using video as presentation of word as image, Verabioff's conceptual influence on linguistic relations to semiotics, aesthetics and the body politics of visual art are mutated here - Verabioff's projected words literally shift atop the surface of the gallery provoking our own cultural thought judgments within the walls of the western cultural arena and pop culture lexicon. Taking hold and ownership of selective feminist and queer positions the video mark verabioff abled woman train wreck hard fuck hairy la, serves as an linguistic evolution and visual progression of the traditional art historical canon pumped up with an extended dance mix that infiltrates the gallery's interior and exterior with provocation and seduction.
"even the smog wears powder dry heeves benjamin hd buchloh mary-kate hallucinates theresa hak kyung cha’s audience whisperly pukes ashley “anti-form” dianne brill skats hanna darboven as banal speech ooze ashlee simpson pus abject craig owens exhorts martha rosler as china pattern barfs bea arthur naked self-feeder nan kempner chinnuts casual shopper for model pleasure III fuck andrea fraser lick and lather my muff at liberty oinks elaine stritch art & language toast lindsay lohan in october as douglas crimp snowballs insurgents vanilla nightmare frieze yam sister lil’kim at bh funk lessons snarls adrian piper at the women’s building three weeks in may lynda benglis spills rape oil over lacy zac posen “un-artists” kate moss tinkles participatory spectacle on allan kaprow post feminist clap outward model shirley chisholm backs group material action pants flashdance jane gallop nsa concerned women for america rim glue pour cultural confinement rundowns poolside uc father figure charles ray dispatched prehab with fall ’91 mayday overawe mark verabioff abled woman train wreck hard fuck hairy la"
The art of Canadian-born Los Angeles-based artist Mark Verabioff is known for distinctive conversations using word as image deeply rooted in a firm understanding of art history and cultural theory. Since the mid 80s he has been in a highly committed relationship with the critical interrogation of form and its social-political capabilities. The work has been identified with video, site- and situationist-based performative-actions, and context art. An overarching concern in his work is the relationship between language, aesthetics and content, moving in and out of logic, absurdity, provocation and seduction. Verabioff’s linguistic strategy interrupts the sanctity of the traditional art historical canon by fusing seminal contemporary artworks with pop cultural and queer syntax, equalizing the rhetoric of celebrity, politics and contemporary art.
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