Bigindicator

8 Under 28

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Asad10008
Asad Faulwell, Oath 2007, Mixed Media 72 X 72 in © Courtesy of Artist and Gallery C
Asad Faulwell, Group Show
8 Under 28
Curated by: mat gleason

1225 Hermosa Ave.
Hermosa Beach, CA 90254
January 17th, 2008 - March 1st, 2008
Opening: January 17th, 2008 7:00 PM - 10:00 PM

QUICK FACTS
WEBSITE:  
http://www.galleryc.com/
NEIGHBORHOOD:  
beach cities/south bay
EMAIL:  
info@galleryc.com
PHONE:  
310.798.0102
OPEN HOURS:  
Tue-Sat 11-6

DESCRIPTION
Gallery C is pleased to present 8 Under 28, a survey of eight important young Los Angeles-based artists. Many young artists are turning their backs on five decades of grandfather’s Pop Art and the aging pointlessness of Post-Modernism. These eight locals lead a generational shift with an art that embraces reckless certainty and conceptual purposefulness. Their work, in a variety of media, abandons both the tidy illustrations of academic theory and the cult of the well-made fetish object. 8 Under 28 is an affirmative leap away from two previous generations of artists serving the calculations of image-driven art styles and machinations of an art world out-of touch with life itself.

Erin Dunn subverts Gen-X slacker art in her monumental doodles that border on the majestic.
Sarah Elise pulls photography back into the physical with hands-on, non-digital polaroid transfers depicting a contemporary, yet timeless cool Americana.
Asad Faulwell pastiches together remnants of opposing cultures to create new dialogues beyond the conventional permutations of good/bad, right/wrong that pass for political and aesthetic discourse these days.
Omar Gallegos has mastered a timeless realism that is equal parts visits to cathedrals and circuses.
Stephanie Mercado populates an eerie Beardsley-esque backdrop with characters as surreal as they are exquisitely illustrated.
Ian E. Pines paints bold abstractions that are defiantly anti-iconic yet paradoxically effuse an optimism for art.
Arturo Ernesto Romo-Santillano is a sophisticated provocateur whose art critiques the nature of critical inquiry itself with a dry, unnerving humor.
Lorrie Waldie creates environments and installations that balance the ephemeral (fleeting) with the evocative (collectible).