Black Tie, White Noise

Event  |  Reviews  |  Comments
All Yesterday's Parties, 2010 Oil On Linen 40 X 30 Inches © the artist and Blythe Projects
Top Fuel, 2010 Oil On Linen 80 X 60 Inches © the artist and Blythe Projects
Black Dollar Bill, 2010 Oil On Linen 10 X 23 Inches © the artist and Blythe Projects
Crown of Thorns, 2010 Oil & Tar On Linen 24 X 20 Inches © the artist and Blythe Projects
Black Friday, 2010 Oil On Linen 80 X 60 Inches © the artist and Blythe Projects
Members Only, 2010 Oil On Panel And Faux Gilded Frame 24 X 36 Inches © the artist and Blythe Projects
BEP (falling stars), 2010 Oil On Linen 34 X 47 Inches (Diptych) © the artist and Blythe Projects
Everything For Sale, 2010 Oil On Linen 80 X 60 Inches © the artist and Blythe Projects
Black Tie, White Noise

Culver City, CA 90232
September 18th, 2010 - October 23rd, 2010
Opening: September 18th, 2010 6:00 PM - 9:00 PM

culver city/west la
by appt only


Blythe Projects is pleased to present Black Tie, White Noise, the first Los Angeles solo exhibition of work by John Andolsek. Hinging on the charged energy and aesthetic of punk culture from the late 1970s and early 1980s (a culture where Andolsek first cut his working- artist teeth in New York’s Lower East Side), Andolsek re-contextualizes that spirit into large-scale paintings, sculpture, sound-works and found objects re-interpreted into musing objects. Drawing on the legacies of Pop and Abstract Expressionism, Andolsek tackles the symbiotic relationships between consumerism, politics, patriotism and high society in the early 21st century.

Andolsek’s intent is to create a visually “explosive” environment, an ambience that reflects grit, greed and glamour, and to provide an experience that is simultaneously liberating and terrifying.

Typical of his artistic style, Andolsek imbues Black Tie, White Noise with elements of both ambiguity and critique. His recent artistic identity is a position of both rebellion and nostalgia. The work is physical and intense, made from thick oil paint, asphalt, cows blood, mirrors, Astroturf, and picturing falling stars, decadent chandeliers, mud flap girls (and boys) and drag race engines. Yet the work is not raw or brute, rather Andolsek elegantly and honestly examines the capacity for being human in an age where anything is seemingly attainable and everything is for sale. Andolsek encourages us to think critically about the future as it carves its path through the present. And to thoughtfully reflect on what’s worth saving.

John Andolsek was born in Nuremberg, Germany in 1961. He studied at the School of Visual Arts in New York, receiving his BFA in 1983. His work resides in public and private collections across the United States.

Blythe Projects is located at 5797 Washington Boulevard, Culver City, California 90232. For more information  please contact Hillary Metz at 323.272.3642 or