Bigindicator

Joy Today Jeopardy Tomorrow

Event  |  Reviews  |  Comments
1024_postcard
© Courtesy of the Artist and Thinkspace
4629679381_3bc0ab8105
One of the finished pieces from Ekundayo's 'Joy Today Jeopardy Tomorrow' © Courtesy of the Artist and Thinkspace
4630298846_01489ca8c5
Work in progress inside Ekundayo's studio © Courtesy of the Artist and Thinkspace
Ekundayo_-_ad_image_-_30x47_-_mixed_media_on_paper
Mixed Media on Paper 30x47 © Courtesy of the Artist and Thinkspace
Joy Today Jeopardy Tomorrow

6009 Washington Blvd.
Culver City, CA 90232
June 11th, 2010 - July 2nd, 2010
Opening: June 11th, 2010 7:00 PM - 10:00 PM

QUICK FACTS
WEBSITE:  
http://www.thinkspacegallery.com
NEIGHBORHOOD:  
culver city/west la
EMAIL:  
contact@sourharvest.com
PHONE:  
310.403.8549
OPEN HOURS:  
Tue-Sat 12-6
TAGS:  
installation

DESCRIPTION

Main Gallery:

‘Joy Today Jeopardy Tomorrow’

New paintings, drawings and an installation from Ekundayo

The Crepe'n Around Truck will be out during the opening reception – be sure to bring your appetite!

‘Joy Today Jeopardy Tomorrow’ is an exhibition about the beautiful struggle we all face of reaching for our dreams, in hopes of guiding our own destiny, weather we succeed or fail, as long as it’s on our own terms. Ekundayo’s work illustrates the sacrifices we make in the pursuit of fulfillment, while simultaneously questioning the actions taken to attain this ‘fulfillment’ we all seek. A great deal of inspiration for this new body of work has come from the life of Marcus Mosiah Garvey Jr., an African nationalist who during the 1920's had a vision to bring his people from all over the world to a higher level of conciseness in regards to where they come from and how they provided for themselves. Although Garvey failed in his ultimate goal of having a fleet of steamships fairing people from all over the world to Africa in-order to connect them to their origins, he left a legacy behind that continues to inspire countless others.

When looking at the work you get a sense of an inner struggle with the central figures becoming anchored by a large burden, while at the same time appearing weightless, as if suspended in moments of relief. A sort of "misshapen beauty" which speaks to the imperfections and vices found within all of us. Ekundayo's pieces are handled with a deliberate sensitivity, framed by moments of very loose, almost sporadic applications of paint, which help to give the finished works a sense of inadvertence, that in turn serve as a testament to the artist’s intent.