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Curiosities

Event  |  Reviews  |  Comments
Wosk002web
Thinking About Life, 2005 Paper Collage With Crystals and Artificial Flowers 70 X 33 Inches
Pw003web
Olive, 2006 Mixed Media 11.5 X 7.5 X 5 Inches
Ra003web
Grid 5-06, 2005 Acrylic on Canvas 11 X 11 Inches
Cpa001web
Gnome, 2006 Photograph 55.5 X 55.5
Fmr007web
Mojado, 2006 Mixed Media
Curiosities

2754 S. La Cienega Blvd.
Los Angeles, CA 90034
January 3rd, 2008 - February 17th, 2008
Opening: January 3rd, 2008 5:00 PM - 8:00 PM

QUICK FACTS
WEBSITE:  
http://www.edwardcella.com
NEIGHBORHOOD:  
culver city/west la
EMAIL:  
director@edwardcella.com
PHONE:  
323-525-0053
OPEN HOURS:  
Tuesday through Saturday, 11am to 6pm, and by appt

DESCRIPTION

Edward Cella Art+Architecture is proud to announce a group exhibition that will include work by Kofi Cole, Peter Cole, Ethan Turpin, Franco Mondini-Ruiz, Pauline Wiertz, and Miriam Wosk. Entitled, Curiosities, the show will explore contemporary issues of nostalgia, memory, and rediscovery. In a variety of methods and materials, these artists investigate post-modern concepts of identity by utilizing bricolage and cultural assimilation to expose the discrepancies and contradictions of contemporary life.

 

Franco Mondini-Ruiz’s irreverent paintings and objects create humorous paradoxes between kitsch and sophisticated, feminine and masculine, and between chicano and western art traditions. Pauline Wiertz’s clever sculptures reference the Renaissance Wunderkabinett tradition where miscellaneous curiosities are displayed in a cabinet of wonders. Her floral decoupage ceramic guns incorporate a personal narrative while also making a commentary about class position and ethnic identity.

 

Los Angeles artist Miriam Wosk’s cacophonous paintings explore the tension and duality that exists between beauty and repulsion, tradition and modernity. Redefining previous notions of art, she makes visual contradictions in an attempt to highlight their actual interconnectedness.

 

Herbert “Kofi” Cole and Peter Cole are father and son artists who explore African art-making techniques.  “Kofi,” his knife name, is a preeminent scholar of African art and carves small-scale African tribal masks based on their original versions. The miniature sculptures are at once humorous, poignant, and delightful. The engagement of African art in Western modern art has always been and continues to hold major source material for artists.  Peter Cole’s art making process assimilates the “power figures” tradition of African folk art in order to created modern-day power figure idols out of American consumer goods.

 

Lastly, in Ethan Turpin’s current project, Stereocollision, the artist has gathered original 19th century stereoscope photographs and digitally composites the vintage photos and text to create new stereogram cards. Through the mergence of contradictory images he creates provocative statements about globalization and the history of American economic dominance.

 

All of the artists involved are referencing source material beyond the purview of fine art and, instead, exploring issues of cultural transference. Made up mostly of small scale objects and paintings, this group exhibition rejects the traditional white cube gallery space and transforms itself into a room-sized cabinet of curiosities.