Hikari: Contemporary Photography from Japan

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Untitled (Dariyapur Darwaja, Ahmedabad) from the Pikari series , 2010 Archival Pigment Print 33 X 40'' © Courtesy of the artist & Tasveer - Bangalore
Metaportrait of 30 unmarried girls in the ‘Bride Procession’, Aizu Tajima Gion Festival, Fukushima, Japan , 23rd July, 2003 Lambda Print 67 X 49'' © Courtesy of the artist and Galerie Alberta Pane
Hikari: Contemporary Photography from Japan

Sua House, 26/1 Kasturba Cross Road
560001 Bangalore
April 13th, 2013 - May 10th, 2013
Opening: April 13th, 2013 6:00 PM - 8:00 PM

+ 91 8040535217
Mon-Sat 10-5:30


In this exhibition we wanted to explore the notion of ‘Hikari’ (the Japanese word for light) in contemporary photography, and in particular the idea that light can be used as both a tool of illumination and as a cloak - either revealing something we might not normally see, or conversely, covering something up. Within the photographs on display lie deceptions, interventions and the constructions of a culture for whom the concept of light is both a science and a metaphor.

In the photographs of Yuji Obata, light reveals a moment - ephemeral, melting, passing and gone. His work refers to the history of photography, and the aesthetics and landscape of Japan. For Tokihiro Sato light is a deed, an action and an intervention. The photographer himself enters the frame as a presence shown only by light. In Shiho Kito’s photographs we see light as navigation, as embellishment and as a guide through the city - metaphoric and historical, public and private. Kimiko Yoshida’s self portraits are bathed in a blinding light, yet they conceal a truth; the bright studio light disguises the sitter whilst her own identity disappears into the guise of another. Finally, Ken Kitano’s work explores a more tactile relationship between the photographer and light, which he uses to ‘draw’ on the surface of the photographic paper, layering multiple exposures to create his composite portraits.
Whilst Japan is the country of origin for each of the photographers in this exhibition, it is by no means an attempt at a survey of contemporary Japanese photography. Instead, we’ve attempted, very simply, to do two things. First, to try and see if new and interesting readings of the photographs can emerge when seen in the context of a theme (in this case, ‘Hikari’), and secondly, to investigate the ways in which this theme might be unique to the country in question.
- Nathaniel Gaskell & Shiho Kito