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Cosmogonies, au gré des éléments

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Cosmogonies, au gré des éléments

Place Yves Klein
cedex 4
06364 Nice
FR
June 9th, 2018 - September 16th, 2018
Opening: June 9th, 2018 6:00 PM - 8:00 PM

DESCRIPTION

Summon the elements, capture the invisible links that unite the components of the universe,

seize the processes of erosion, footprint, crystallization, reveal the burning of the sun ... The

exhibition brings together artists of different generations who resort to the nature and the

elements as an integral part of their work process. Their approach stems from an empirical

research based on the capture of natural phenomena, on the exploration of different states of

matter, the meticulous observation of substances that are a priori elusive and which offer so

many experimental grounds. This quest for atmospheric, vegetal, geological or organic

impressions is driven by a desire to capture the essence and the trace of the immediate,

whatever the impact. It is often worn, whatever the process put in place, by a desire to

capture a secret order of the universe, these elementary constituents, to seize in an

ephemeral way, the movement, the indeterminacy of all forms and all material .

 

All of them reinvest in their own way these reflections and experiments initiated by Yves Klein

at the dawn of the 1960s, "A few months ago (...), I felt the urgency to record the signs of

atmospheric behavior by receiving on a canvas the instant traces of spring showers, southerly

winds and lightning. (Is it necessary to say that this last attempt ended in a catastrophe?). For

example, a trip from Paris to Nice would have been a waste of time if I had not used it to

record the wind. I placed a canvas, freshly painted, on the roof of my white Citroën. And while

I swallowed the national at a hundred kilometers an hour, the heat, the cold, the light, the

wind, and the rain made my canvas prematurely aged. Thirty or forty years or more were

reduced to one day. "

Yves Klein, Chelsea Hotel, New York, 1961

 

Reinvented by artists of Land Art in the late 1960s and now inhabited by an acute awareness

of the fragility of the natural order, these practices draw an ode to impermanence, ephemeral

and emergence of forms "assisted" by nature. A fruitful meeting of two modes of appearance

of a universe or a form, the works together draw the ambivalent portrait of artists at once

demiurges, extremely humble and ambitious - trying to master, divert natural processes, while

positioning partially behind the act of creation. The exhibition also makes it possible to

deploy different approaches and strategies of artists inspired by scientific protocols or

observations of naturalists.

Anchored in the context of the collections of MAMAC which are crossed by the tutelary figure

of Yves Klein and offer a testimony of the great research carried out in the 1960s by the

artists of Arte Povera, the project constitutes a natural territory for this sensitive exploration

which highlights the persistent attraction of artists for natural processes and their capture

while echoing the diversity of contemporary debates around environmental issues.

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