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Exhibition: The Circle of Truth

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20180819223631-1-shane_guffogg_circle_of_truth_project
Exhibition: The Circle of Truth
Curated by: Shane Guffogg, Laura Hipke

106 E. Main St.
95030 Los Gatos
CA
US
October 18th, 2018 - March 10th

QUICK FACTS
WEBSITE:  
http://www.numulosgatos.org
EMAIL:  
operations@numulosgatos.org
PHONE:  
408.354.2646
COST:  
FREE for members and visitors under 18 years of age | General Admission is $10 | $6 Seniors, military and students with valid ID

DESCRIPTION


NUMU is pleased to present the first public showing of the traveling exhibition, The Circle of Truth, a wholly unique collaboration of 49 contemporary artists, each sequestered and unknown to one another, working in absolute secrecy. Taking a full nine years from launch to completion, The Circle of Truth is a modern, visual take on a common childhood classroom exercise wherein a secret message was whispered from student to student, often referred to as the Rumor Circle, or the Telephone Game.

The Circle of Truth Project was launched in 2009 and completed in 2016. The exhibition makes its debut at NUMU on October 18, 2018 and runs through March 10, 2019. It will travel to the Lancaster Museum of Art and History (MOAH) in Lancaster, CA in August 2019 and the Orange County Center for Contemporary Art (OCCCA) in Santa Ana, CA in October 2019.

The LA-based Project was conceived by artist, Laura Hipke and co-curated with artist, Shane Guffogg. Exhibiting artists from Los Angeles, Arizona and New York include: Kim Abeles, Lisa Adams, Lita Albuquerque, Charles Arnoldi, Lisa Bartleson, Billy Al Bengston, Justin Bower, Virginia Broersma, Randall Cabe, Rhea Carmi, Greg Colson, Jeff Colson, Stanley Dorfman, Cheryl Ekstrom, Jimi Gleason, Rives Granade, Ron Griffin, Alex Gross, Shane Guffogg, Lynn Hanson, Doro Hofmann, Tim Isham, Kim Kimbro, Bari Kumar, Cal Lane, Margaret Lazzari, Mark Licari, Dan Lutzick, Deborah Martin, Susan McDonnell, Christopher Monger, Jim Morphesis, Andy Moses, Juan Carlos Munoz Hernandez, Gary Panter, Daniel Peacock, Bruce Richards, Michael Rosenfeld, Ed Ruscha, Eddie Ruscha, Paul Ruscha, John Scane, Vonn Sumner, Matthew Thomas, Alison Van Pelt, Michelle Weinstein, Ruth Weisberg, Robert Williams and Todd Williamson.

The forty-nine works of art by forty-nine artists were created specifically for the project. Mostly oil paintings, the works are all the same size and are displayed in the order in which they were created by the collaborating artists. 

Viewers of all ages, backgrounds, ethnicities and levels of education will be able to quickly understand the meaning of the exhibition. There are no prerequisites or any fundamental knowledge needed to appreciate and recognize truth. The experience relies simply on the viewers’ inherent human nature. The exhibition provides many levels of interest, from superficial amusement, to existential explorations.

The Project Rules

The first painting (“visiting painting”) created by Shane Guffogg, was delivered along with a blank canvas to the second artist in the Circle. The second artist was not given the identity of the first artist, nor what the painting was about or represented. The only instruction was to find "truth" in the first painting and then use the blank canvas to create a work of art in response (the “response painting”). When finished, the painting and a new blank canvas were delivered to the third artist, and the first painting was placed in storage. This procedure was repeated by the participating artists who were asked to keep the secret until the project was complete. The final/forty-ninth painting was created by Ed Ruscha. The artists did not sign their paintings or talk about the project to anyone. Each artist was asked to write an essay about their experience. Excerpts of the essays are included in the exhibition. The accompanying exhibition catalogue, with its sequential layout and essays by the artists, provides a lasting record of the experience.

What transpired over the course of the project – what truths were explored and discovered, how the artists were affected – broadened the scope of the project from an interesting exploration of sensitivity and creativity, into an unexpected examination of what truth means sociologically and spiritually.

What is truth? How do people feel about their access to truth? What is our responsibility to preserve truth? Is truth still important or even relevant? How does the subtle erosion of our confidence in truth affect our sense of well-being? The exhibition touches on a need that resonates deeply in the human psyche – access to meaningful, truthful contact with others. This truthful contact is the secret ingredient in the Circle of Truth project. 

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