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In Praise of Painting: Dutch Masterpieces at The Met

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20180724144201-dp145403
Gerard de Lairesse: Apollo and Aurora, 1671 Oil On Canvas 80 1/2 X 76 1/8 In. (204.5 X 193.4 Cm) © Gift of Manuel E. and Ellen G. Rionda, 1943
In Praise of Painting: Dutch Masterpieces at The Met

1000 Fifth Ave.
10028-0918 New York
NY
US
October 16th, 2018 - October 1st, 2020
Opening: October 16th, 2018 10:00 AM - 5:30 PM

QUICK FACTS
WEBSITE:  
http://www.metmuseum.org
EMAIL:  
communications@metmuseum.org
PHONE:  
(212) 535-7710
OPEN HOURS:  
Sun-Thu 10-5:30; Fri-Sat 10-9

DESCRIPTION

Dutch paintings of the seventeenth century—the Golden Age of Rembrandt, Hals, and Vermeer—have been a highlight of The Met collection since the Museum's founding purchase in 1871. This exhibition will bring together some of the Museum's greatest paintings to present this remarkable chapter of art history in a new light. Through roughly sixty-five works of art organized thematically, the exhibition will orient visitors to key issues in seventeenth-century Dutch culture—from debates about religion and conspicuous consumption to painters' fascination with the domestic lives of women.

The exhibition will provide a fresh perspective on the canon and parameters of the Dutch Golden Age by uniting paintings from The Met's Benjamin Altman, Robert Lehman, and Jack and Belle Linsky bequests. Works typically displayed separately in the Museum's galleries—such as Rembrandt's Gerard de Lairesse and Lairesse's own Apollo and Aurora—will be presented side by side, producing a visually compelling narrative about the tensions between realism and idealism during this period. The presentation will also provide the opportunity to conserve and display rarely exhibited paintings, including Margareta Haverman's A Vase of Flowers—one of only two known paintings by the artist and the only painting by an early modern Dutch woman currently in The Met collection. The exhibition takes its title from one of the period's major works of art theory, Philips Angel's The Praise of Painting (1642), a pioneering defense of realism in art.

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