Landscapes after Ruskin: Redefining the Sublime
In the current global environment—with nature threatened now more than ever—how is our contemporary landscape reimagined by artists? Landscapes after Ruskin: Redefining the Sublime explores this intriguing question through artworks that confront an increasingly sinister notion of the sublime. Curated by renowned photographer Joel Sternfeld, the exhibition features approximately 60 works by over 45 artists, including paintings, photographs, sculpture, installation, film, and video. Landscapes after Ruskin was organized by the Hall Art Foundation and will be on view at New York University’s Grey Art Gallery from April 17 through July 7, 2018.
Works in the show span many styles—from realism to expressionism, abstraction to figuration—revealing the multiple ways that contemporary artists are addressing current environmental concerns. While early landscapists such as J. M. W. Turner, depicted the power of raw, unrestricted nature to overwhelm humanity, the artists featured in Landscapes after Ruskin are working in a climate of heightened anxiety, technological advancement, frequent natural disasters, and increasing human populations. The show includes works by established figures Joseph Beuys, Mary Corse, Eric Fischl, Anselm Kiefer, Bruce Nauman, Gerhard Richter, Ai Weiwei, Jane and Louise Wilson, and David Wojnarowicz alongside works by others who deserve to be better known, such as Naoya Hatakeyama, Dodo Jin Ming, Dora Longo Bahia, and Serban Savu.