Event  |  Reviews  |  Comments
Response to print of McWay Falls, 2013 Archival Pigment Print 32" X 40" © Laura Plageman
Curated by: Kevin Chen

311 Potrero Avenue
94103 San Francisco
December 8th, 2016 - December 30th, 2016
Opening: December 8th, 2016 6:00 PM - 8:00 PM

Tues.- Sat. 11:00 - 5:30 pm; and by appointment


Jack Fischer Gallery is pleased to announce preternatural, a show curated by Kevin B. Chen featuring the work of Bessma Khalaf, Sarah Lee, Stephanie Metz, Laura Plageman and Tiffanie Turner. The exhibition will be on view from November 26th until December 30th. An opening reception for the artists and the curator will be held on Thursday, December 8th from 6 - 8 p.m. at our Potrero location.

The preternatural (from the Latin præter and naturae) is that which appears outside or beyond the normal and natural. In theology, the term preternatural is often used to distinguish marvels or deceptive trickery, often attributed to witchcraft or demons, from the divine and sacred power of the genuinely supernatural. Upon the arrival of early modern science, the concept of the preternatural was progressively used to refer to abnormalities and strange phenomena that seemed to transgress the normal working laws of nature, but which were not associated with magic or witchcraft. The terms preternatural and supernatural originally acquired their distinct definitions within the ancient religious movement of Gnosticism, but since have been incorrectly equated as interchangeable phrases.

Pre-12th Century Gnostics made the distinction between the natural, the preternatural, and the supernatural. Natural describes all that which belongs to the material world and adheres to its strict physical and scientific laws. Preternatural is the action that goes beyond the structure of the nature of the material universe. Supernatural is the action that goes beyond any created nature, belonging only to the divine.

The photographic and sculptural work in this exhibition falls within the preternatural, occupying space and time suspended between the mundane and the miraculous. Depicting and embodying flora, fauna, and landscape that appear to exist beyond the natural, the exhibition also comments on a number of pressing issues of our time, from global warming and rising sea levels, to genetic mutation and bioengineering, to survival and adaptation.