current exhibitions & events | ArtSlant https://www.artslant.com/ny/Events/show en-us 40 - The Jewish Museum - April 11th, 2003 - December 31st, 2035 <p>At the heart of The Jewish Museum is its permanent exhibition, <i><a target="_blank" href="http://www.thejewishmuseum.org/exhibitions/CultureAndContinuity">Culture and Continuity: The Jewish Journey</a></i>, representing one of the world's great opportunities to explore Jewish culture and history through art. This vibrant two-floor exhibition features 800 works from the Museum's remarkably diverse collection of art, archaeology, ceremonial objects, video, photographs, interactive media and television excerpts. It examines the Jewish experience as it has evolved from antiquity to the present, over 4,000 years, and asks two vital questions: How has Judaism been able to thrive for thousands of years across the globe, often in difficult and even tragic circumstances? What constitutes the essence of Jewish identity? <br /><br />The exhibition traces the dynamic interaction among three catalysts that have shaped the Jewish experience: the constant questioning and reinterpretation of Jewish traditions, the interaction of Jews and Judaism with other cultures, and the impact of historical events that have transformed Jewish life. <i>Culture and Continuity: The Jewish Journey</i> proposes that Jews have been able to sustain their identity, despite wide dispersion and sometimes tragic circumstances, by evolving a culture that can adapt to life in many countries and under various conditions. Survival as a people has depended upon both the continuity of Jewish ideas and values and the flexibility to adapt to changing circumstances.<br /><br />We invite you to visit the Museum and see <i>Culture and Continuity: The Jewish Journey</i> in person. Visitors to the Museum can enjoy random access audio guide tours of the exhibition, including a "Director's Highlights" audio guide featuring Joan Rosenbaum, Helen Goldsmith Menschel Director of The Jewish Museum, and a special audio guide for children and families. Audio guides are free of charge with Museum admission and were made possible by Bloomberg.<br /><br /><i>Bring a <a target="_blank" href="http://www.thejewishmuseum.org/exhibitions/CultureAndContinuity">copy of the exhibit's web page on the Jewish Museum's Web site </a>to The Jewish Museum Admissions Desk with your e-mail address and you will receive one 50% admissions discount.</i></p> Wed, 08 Jul 2009 11:05:47 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list WM ROSE - ARTBREAK - August 17th, 2009 - August 17th, 2020 <p>THE GALLERY IS AT  WWW.ARTBREAK.COM    WHERE YOU MAY SEARCH FOR</p> <p> </p> <p>WILLIAM RO-SEY       THERE YOU MAY CONTACT  WCD207@GMAIL.COM TO OFFER THE FAMILY A PRICE IRREGARDLESS OF PRICE MARKED</p> Thu, 24 Dec 2009 23:12:51 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Peter Borgese - PETER BORGESE MODERN ART GALLERY - September 19th, 2013 - January 6th, 2034 <p>A new chapter of surrealism created by Borgese, painter of modern conceptualism,&nbsp;to captivate, stimulate, and motivate the senses of the viewer for a life time; is exhibited in this body of work at gallery&nbsp;Borgese. There are over 30 original fine art&nbsp;paintings and 20 drawings&nbsp;framed and hung for you to view, purchase, take home or have delivered.</p> Sun, 02 Mar 2014 18:46:25 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - Housatonic Museum of Art - August 15th, 2011 - October 20th, 2020 <p>The Housatonic Museum of Art is pleased to announce <em>Polaridad Complementaria: Recent Works from Cuba, </em>an exhibition that<em> </em>introduces North America to the new generation of influential artists from Cuba. <em> </em><em>Polaridad Complementaria </em>is on view in the Burt Chernow Galleries at the Housatonic Museum of Art from <strong>August 15</strong> through <strong>October 20, 2011<br /> </strong> <br /> Developed by the Centro de Arte Contemporaneo Wifredo Lam, Havana, <em>Polaridad Complementaria</em> offers audiences the opportunity to become acquainted with the island’s current and upcoming artistic talent. More than 40 works of painting, drawing, sculpture, photography, video and installation art provide a sense of the serious aesthetic and conceptual concerns that characterizes Cuban art today. The 24 artists presented here are mainly young artists who have attained international recognition. The majority of these artists have taken part in fairs and biennials abroad and all have exhibited in Europe, Latin America and were featured in various editions of the Havana Biennial. Several have exhibited in the United States, including René Peña, Abel Barroso, Aimeé García, Yoan Capote, Eduardo Ponjuán, Lázaro Saavedra, Sandra Ramos and Roberto Fabelo.<br />  <br /> Often compared to American photographer Robert Mapplethorpe, artist René Peña explores the relationship between individuals within society and the struggle for their own identity. Abel Barroso carves three-dimensional pieces using wood and various printing methods to create a conversation about technology and the third-world. From Zulueta, Cuba, Duvier del Dago takes things one step further, combining drawing with handmade 3D design examining the unattainable, whether it be the material or the ideal. From simplistic to intricately fabricated, these artists create a narrative of Cuba today.<br />  <br /> Diverse in both medium and themes, the artists featured in <em>Polaridad Complementaria</em> understand the power of their art to address a wide range of social issues. The exhibition highlights works that connect the local context with global concerns and universal human issues. After many years, <em>Polaridad Complementaria</em> opens a pathway for dialogue and cultural exchange between Cuba and the United States, two countries with historic ties and common cultural processes, despite troubled relations.<br /> <br /> <strong>Margarita Sánchez Prieto</strong> is curator, researcher and art critic at Centro de Arte Contemporaneo Wifredo Lam in Havana and recipient of the National Prize of Curatorship at the 2000 Havana Biennial. She has curated various exhibitions and lectured extensively on Cuban and Latin American art throughout South America, Europe and Canada. Her work has been published in various art magazines and she is the author of the anthology <em>An Outlook of Latin American Art in the Decade of 1980</em>.  <br /> <br /> Director of the Wifredo Lam Contemporary Art Centre and curator and art critic of the Havana Biennial, <strong>Jorge Fernandez Torres</strong> has curated over 15 major exhibitions in Cuba, Spain, Central, and South America. He was a member of the Commission for Cuban Cultural Development of UNESCO in 1997 and on the Advisory Council for the Arts of the National Library of Cuba in 2000 and 2001 as well as Vice Rector of the Higher Institute of Arts in Havana for the past ten years. He is the Author of several texts in catalogues of Cuban art and as professor of contemporary art at the Higher Institute of Arts (ISA), and has lectured all over the world. <br /> <br /> <em>Polaridad Complementaria: Recent Works from Cuba</em> was developed by the <strong>Centro de Arte Contemporáneo Wifredo Lam</strong>, Havana and is toured by International Arts &amp; Artists, Washington, DC. </p> Mon, 10 Oct 2011 03:50:07 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Molly Dilworth - The James Hotel - May 1st, 2013 - January 1st, 2023 <p>Painting for the garden at The James Hotel, 27 Grand Street, NYC. Opening May 1, 2013.<br /><br />Ghost acreage is extraterritorial land annexed for production. Historically, American land was used to produce cotton for space-constrained Europe; today variations of this practice can be found everywhere in industrial production from food to electronics.<br /><br />The designs for the Urban Garden pillar at The James Hotel were generated by sampling from visual and historical markers on 6th Avenue immediately adjacent to the pillar. Examples include the multicolored z-shaped crosswalk pavers, the Avenue of the Americas lamppost medallions and the statue of Juan Pablo Durate who helped found the Dominican Republic and establish its independence from Hati.<br /><br />During the colonial period, residents of Lower Manhattan and Carribean countries shared the experience of being subjects and revolutionaries. While mostly invisible today, evidence of these histories can be found just outside the Urban Garden.</p> Thu, 09 May 2013 22:03:07 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - Queens Museum of Art - November 9th, 2013 - November 9th, 2023 <p>The Queens Museum will always be inextricably linked to the 1939 and 1964 World&rsquo;s Fairs, and with a collection of more than 10,000 objects pertaining to the two expositions, the Museum is a key resource to both scholars and fans. In an effort to provide visitors with a greater understanding of the scope of the Museum&rsquo;s enormous holdings of 1939 and 1964 World&rsquo;s Fair artifacts and memorabilia, the newly installed World&rsquo;s Fair Visible Storage and Gallery on the second floor displays more than 900 three-dimensional pieces arranged by the date of each World&rsquo;s Fair, and within these categories, arranged by donor. The dense installation provides an opportunity to study a large number of related works of World&rsquo;s Fair objects up close, and to compare and contrast a wide range of items from 1939 and 1964. The Visible Storage provides unprecedented access to students, scholars, and the general public to explore the collection that was formerly hidden in the Museum&rsquo;s art vault, off-limits to the public. Many of these objects have never been displayed in the history of the Queens Museum.</p> <p>Visible Storage addresses the challenge of organizing a public exhibition space while fulfilling the traditional purpose of safely displaying and storing an important cross-section of the Museum&rsquo;s collections in a climate-controlled and easily accessible environment. Light sensitive objects, such as documents, photographs and textiles, remain stored in dedicated low-light facilities.</p> <p>These large glass cases now house more than 90% of the three-dimensional objects in the Museum&rsquo;s World&rsquo;s Fair collection. New acquisitions and private collections that, in most cases, have been donated to the Museum, will be added to the Visible Storage allowing visitors to gain new insight into the history and evolution of the World&rsquo;s Fairs through a visual understanding, and a palpable sense of place by exploring these artifacts and memorabilia. Furthermore, with all the objects donated by a particular collector displayed as a group, the collections within the collection become evident.</p> <p>As milestone anniversaries of both the 1939 and 1964 World&rsquo;s Fairs near, Visible Storage pays homage to momentous events in the history of Flushing Meadows Corona Park and the Queens Museum. These objects simultaneously evoke the past and a yearning for tomorrow. Linking thematically with the beloved Panorama of the City of New York and its slightly more modest relative, the Relief Map of the New York City Water Supply System, the Visible Storage completes the triumvirate at the heart of the NYC Building&rsquo;s rich history as a World&rsquo;s Fair pavilion. The World&rsquo;s Fair collection is ever-growing, those interested in donating artifacts can email worldsfair@queensmuseum.org or call 718.592.9700 x122.</p> <p>Also on view within the World&rsquo;s Fair Gallery is <em>ChronoLeap: The Great World&rsquo;s Fair Adventure</em>, a virtual experience and game that transports visitors back in time to the 1964 World&rsquo;s Fair. The World&rsquo;s Fair offered a glimpse of the future, with different pavilions featuring exhibitions showcasing the latest innovations in science and technology as an avenue for better lifestyles. <em>ChronoLeap</em> allows for a virtual experience of the Fair, complete with pavilion tours and a conversation with Fair President Robert Moses. <em>ChronoLeap</em> is organized by Dr. Lori C. Walters, a Research Assistant Professor with the Institute for Simulation and Training and Department of History at the University of Central Florida. Funded by both the National Endowment for the Humanities and the National Science Foundation, the project explores the use of 3D virtual environments as an educational tool to expand the understanding of Science, Technology, Engineering and Mathematics (STEM) education.</p> Sun, 08 Dec 2013 22:54:47 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Anselm Kiefer - Mass MOCA - September 29th, 2013 - December 1st, 2028 <p>In a major collaboration with the Hall Art Foundation, the keystone of which is a large and long-term exhibition of sculpture and paintings by Anselm Kiefer, MASS MoCA opens a 10,000 square-foot building at MASS MoCA specially re-purposed by the Hall Art Foundation and devoted to the art of Anselm Kiefer.</p> <p>The exhibition includes <em>&Eacute;troits sont les Vaisseaux (Narrow are the Vessels)</em> (2002), an 82-foot long, undulating wave-like sculpture made of cast concrete, exposed rebar, and lead; <em>The Women of the Revolution (Les Femmes de la Revolution)</em> (1992), comprised of more than twenty lead beds with photographs and wall text; <em>Velimir Chlebnikov </em> (2004), a steel pavilion containing 30 paintings dealing with nautical warfare and inspired by the quixotic theories of the Russian mathematical experimentalist Velimir Chlebnikov; and a new, large-format commission created by the artist specifically for the installation at MASS MoCA.</p> <p>Anselm Kiefer, who first visited MASS MoCA in 1990 when it was still in the early planning stages, ranks among the best-known and most important of post-World War II German artists living and working today. Born in 1945 in southern Germany during the final days of the collapse of the Third Reich, Kiefer experienced divided postwar Germany firsthand. Across his body of work, Kiefer argues with history, addressing controversial and even taboo issues from recent history with bold directness and lyricism. Kiefer often turns to literature and history as prime source material for his work, as he did, for example, in the suite of paintings that comprise <em>Velimir Chlebnikov </em>(2004).</p> <p>The artist often builds his imagery on top of photographs, layering his massive canvases with dirt, lead, straw, and other materials that generate a &ldquo;ground&rdquo; that reads literally of the earth itself. Within these thick, impastoed surfaces Kiefer embeds textual or symbolic references to historic figures or places: these become encoded signals through which Kiefer invokes and processes history.</p> <p>A law student, Kiefer switched his studies to art in 1965 and held his first solo exhibit in 1969. During the early 1970s he studied with conceptual artist Joseph Beuys, whose interest in using an array of cultural myths, metaphors, and personal symbolic vocabulary as a means to engage and understand history inspired Kiefer. The artist has described his own art-making process as stimulated by Beuys&rsquo; philosophies: &ldquo;Painting, for me, is not just about creating an illusion. I don&rsquo;t paint to present an image of something. I paint only when I have received an apparition, a shock, when I want to transform something. Something that possesses me, and from which I have to deliver myself. Something I need to transform, to metabolize, and which gives me a reason to paint.&rdquo; Like Beuys, whose works were often constructed of fragile, organic materials (including blood, fat, and honey), Kiefer&rsquo;s works often incorporate unusual, fugitive materials such as ash, clay,and dried plant materials. With their rough-hewn textures and expansive narrative formats that often evoke charred landscape and historical, sometimes apocalyptic settings, Kiefer&rsquo;s work did not conform to the pared-down Minimalist or Conceptualist movements that were becoming mainstream at the time he was a student. Instead he created massive, dark paintings, books constructed of large sheets of lead, and figurative works that explored German folklore and were inspired by Caspar David Friedrich, among others.</p> <p>Kiefer&rsquo;s works are often realized in large formats, which in turn demand special exhibition spaces. MASS MoCA is adept at collaborating with artists, collectors, foundations, and cultural institutions to bring important bodies of art to the public, best exemplified by its 2008 partnership with Yale University Art Gallery, the Williams College Museum of Art, and the studio of Sol LeWitt, which realized a 25-year exhibition devoted to LeWitt&rsquo;s monumental wall drawings, a landmark quasi-permanent installation that was named "#1 Museum Exhibition of the Year" by Time magazine. The museum is proud to host an array of distinct curatorial points of view, within its renovated 19th singular factory campus.</p> <p>The Hall Art Foundation makes available works of postwar and contemporary art from its collection and from the collection of Andrew and Christine Hall for the enjoyment and education of the public. In addition to the dedicated gallery space at MASS MoCA, the Hall Art Foundation operates a contemporary art space in Reading, Vermont.</p> Mon, 14 Apr 2014 03:26:48 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - MASS MoCA, North Adams, MA - September 28th, 2013 - December 1st, 2028 <p>In a major collaboration with the Hall Art Foundation, the keystone of which is a large and long-term exhibition of sculpture and paintings by Anselm Kiefer, MASS MoCA opens a 10,000 square-foot building at MASS MoCA specially re-purposed by the Hall Art Foundation and devoted to the art of Anselm Kiefer.</p> <p>The exhibition includes <em>&Eacute;troits sont les Vaisseaux (Narrow are the Vessels)</em> (2002), an 82-foot long, undulating wave-like sculpture made of cast concrete, exposed rebar, and lead; <em>The Women of the Revolution (Les Femmes de la Revolution)</em> (1992), comprised of more than twenty lead beds with photographs and wall text; <em>Velimir Chlebnikov </em> (2004), a steel pavilion containing 30 paintings dealing with nautical warfare and inspired by the quixotic theories of the Russian mathematical experimentalist Velimir Chlebnikov; and a new, large-format commission created by the artist specifically for the installation at MASS MoCA.</p> <p>Anselm Kiefer, who first visited MASS MoCA in 1990 when it was still in the early planning stages, ranks among the best-known and most important of post-World War II German artists living and working today. Born in 1945 in southern Germany during the final days of the collapse of the Third Reich, Kiefer experienced divided postwar Germany firsthand. Across his body of work, Kiefer argues with history, addressing controversial and even taboo issues from recent history with bold directness and lyricism. Kiefer often turns to literature and history as prime source material for his work, as he did, for example, in the suite of paintings that comprise <em>Velimir Chlebnikov </em>(2004).</p> <p>The artist often builds his imagery on top of photographs, layering his massive canvases with dirt, lead, straw, and other materials that generate a &ldquo;ground&rdquo; that reads literally of the earth itself. Within these thick, impastoed surfaces Kiefer embeds textual or symbolic references to historic figures or places: these become encoded signals through which Kiefer invokes and processes history.</p> <p>A law student, Kiefer switched his studies to art in 1965 and held his first solo exhibit in 1969. During the early 1970s he studied with conceptual artist Joseph Beuys, whose interest in using an array of cultural myths, metaphors, and personal symbolic vocabulary as a means to engage and understand history inspired Kiefer. The artist has described his own art-making process as stimulated by Beuys&rsquo; philosophies: &ldquo;Painting, for me, is not just about creating an illusion. I don&rsquo;t paint to present an image of something. I paint only when I have received an apparition, a shock, when I want to transform something. Something that possesses me, and from which I have to deliver myself. Something I need to transform, to metabolize, and which gives me a reason to paint.&rdquo; Like Beuys, whose works were often constructed of fragile, organic materials (including blood, fat, and honey), Kiefer&rsquo;s works often incorporate unusual, fugitive materials such as ash, clay,and dried plant materials. With their rough-hewn textures and expansive narrative formats that often evoke charred landscape and historical, sometimes apocalyptic settings, Kiefer&rsquo;s work did not conform to the pared-down Minimalist or Conceptualist movements that were becoming mainstream at the time he was a student. Instead he created massive, dark paintings, books constructed of large sheets of lead, and figurative works that explored German folklore and were inspired by Caspar David Friedrich, among others.</p> <p>Kiefer&rsquo;s works are often realized in large formats, which in turn demand special exhibition spaces. MASS MoCA is adept at collaborating with artists, collectors, foundations, and cultural institutions to bring important bodies of art to the public, best exemplified by its 2008 partnership with Yale University Art Gallery, the Williams College Museum of Art, and the studio of Sol LeWitt, which realized a 25-year exhibition devoted to LeWitt&rsquo;s monumental wall drawings, a landmark quasi-permanent installation that was named "#1 Museum Exhibition of the Year" by Time magazine. The museum is proud to host an array of distinct curatorial points of view, within its renovated 19th singular factory campus.</p> <p>The Hall Art Foundation makes available works of postwar and contemporary art from its collection and from the collection of Andrew and Christine Hall for the enjoyment and education of the public. In addition to the dedicated gallery space at MASS MoCA, the Hall Art Foundation operates a contemporary art space in Reading, Vermont.</p> Wed, 22 Jan 2014 16:10:19 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Michael Oatman - Mass MOCA - October 23rd, 2010 - October 31st, 2020 <p><em>all utopias fell</em> is a project in three interrelated parts: <em>The Shining</em>, <em>The Library of the Sun</em>, and <em>Codex Solis</em>.</p> <p><em>The Shining</em> is a 1970s-era &lsquo;satellite&rsquo; that has crash-landed at MASS MoCA. This beautifully reflective, repurposed Airstream trailer &ndash; with large parachutes and active solar panels &ndash; is inspired by an earlier era of pulp aeronauts like Buck Rogers, Tom Swift and Tom Corbett: Space Cadet, as well as the works of Giotto, Jules Verne, NASA, and Chris Marker&rsquo;s 1962 film <em>La Jet&eacute;e</em>. Visitors can climb a staircase in the Boiler Plant and enter into the craft where they will encounter <em>The Library of the Sun</em>. Hybridizing a domestic space, a laboratory and a library, it has the feel of a hermitage, where the occupant will &lsquo;be right back&rsquo;, only it is 30 years later. Videos relating to the sun and its mythology flicker to life on the cockpit&rsquo;s instrumentation panels. In addition to these elements, visitors will be stunned by a stained glass window in what was once the windshield of the vehicle. Once inside the craft, visitors will also be able to view <a href="http://www.massmoca.org/event_details.php?id=371" target="_blank" rel="nofollow"><em>Codex Solis</em>, a massive field of photovoltaic (PVs) or solar panels</a>. At 50kw, the field will generate 7% of the power consumed by MASS MoCA. In addition to this 230-foot long grid, mirrors are interspersed in the middle of the field, and suggest an absent text. The arrangement of mirrors and solar panels is based on a specific quote by an unnamed author, and will not be revealed by the artist; instead the public will be encouraged to spend time with the piece, watch the reflected sky, and solve the riddle as birds and planes, inverted, fly by.</p> <p>Supported by the Massachusetts Technology Collaborative's Renewable Energy Trust and the Massachusetts Cultural Council.</p> Wed, 22 Jan 2014 03:44:50 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Britannie Bond - Dream Hotel - Midtown - March 14th, 2016 - April 11th, 2019 <p><a href="http://blog.indiewalls.com/2015/11/collection-notes-suite-dreams/" rel="nofollow">http://blog.indiewalls.com/2015/11/collection-notes-suite-dreams/</a></p> Tue, 12 Apr 2016 17:11:03 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - Rubin Museum of Art - June 29th, 2016 - July 16th <p style="text-align: justify;"><i>Gateway to Himalayan Art </i>introduces visitors to the main forms, concepts, and meanings of Himalayan art represented in our collection. A large multimedia map orients the visitors and highlights cultural regions of a diverse Himalayan cultural sphere that includes parts of present day India, China, Nepal, Bhutan, and Mongolia. Visitors are invited to explore exemplary objects from the Museum&rsquo;s collection, organized and presented in thematic sections: Figures and Symbols, Materials and Techniques, and Purpose and Function.</p> <p style="text-align: justify;">The exhibition employs a concise and informative approach to convey the principal notions inherent in the rich traditions of Himalayan art to first-time visitors and specialists alike. In addition to sculptures and paintings, objects such as a stupa, prayer wheel, and ritual implements demonstrate that their patrons sought the accumulation of merit and hoped for wealth, long life, and spiritual gains, all to be fulfilled through the ritual use of these objects and commissioning works of art.</p> <p style="text-align: justify;">Among the featured installations are a display that explains the process of Nepalese lost-wax metal casting and a presentation of the stages of Tibetan hanging scroll painting <i>(thangka</i>). Visitors will also encounter life-size reproductions of murals from Tibet&rsquo;s Lukhang Temple, photographed by Thomas Laird and Clint Clemens.</p> <p style="text-align: justify;">As a whole the exhibition provides visitors with tools for understanding the artistic traditions presented throughout the museum, including a <i>Looking Guide</i>, a take away brochure and an audio guide.</p> <p style="text-align: justify;"><i>Curated by Elena Pakhoutova</i></p> <p style="text-align: justify;"><b><i>This exhibition is </i></b><b><i>supported, in part, by contributors to the 2016 Exhibitions Fund.</i></b></p> Sat, 24 Feb 2018 17:02:03 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Liz Glynn - Mass MOCA - October 15th, 2017 - September 4th <p style="text-align: justify;">Los Angeles-based artist Liz Glynn presents her most ambitious project to date in MASS MoCA&rsquo;s signature Building 5 gallery, a sprawling sculptural experience of sight, sensation, sound, and scent stretching nearly a football field in length. <em>The Archaeology of Another Possible Future</em> expands Glynn&rsquo;s interest in the rise and fall of empires, the assignment of cultural value, and labor and production. This multi-level presentation &mdash; which invites viewers to experience the museum&rsquo;s former factory spaces from catwalks 18 feet above the floor &mdash;&nbsp;examines our physical and psychological relationship to our increasingly abstracted world. Glynn is particularly interested in the shift from a material-based economy to one in which technology companies seem to generate billion dollar valuations out of thin air, nanotechnology continues to operate beyond the field of the visually apprehensible, and capital is accumulated as a pure concept. Glynn seeks to reconcile the presence of physical bodies and individual subjectivities within this contemporary state, emphasizing the experience of physical movement in time and space by creating a two-tiered labyrinth. She suggests the sense of ephemeralization through elevated walkways and platforms that host digital printers above while presenting abstract sculptures below that translate abstract data into three-dimensional, nearly tectonic forms and cave-like structures made of shipping pallets that host a number of analog sensory experiences, focusing on touch, sound, and scent.</p> Wed, 27 Sep 2017 09:41:53 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - Cooper-Hewitt National Design Museum - October 13th, 2017 - July 29th <p style="text-align: justify;">The growing field of sound design gives an audible voice to products, brands, and interfaces. Through sound, our digital devices and products tell us when we have completed a task, received a message, or achieved a goal. Now imagine this world of products with no sound&mdash;no chimes, buzzes, or rings. How does the lack of sound diminish the usefulness of products? How does sound enhance and inform your experience?</p> <p style="text-align: justify;">This hands-on exhibition invites you to become a sound designer for Trash Bot, a street-cleaning machine. A sound designer uses melody, ambient sound, and special effects to communicate. Each sound you create will communicate Trash Bot&rsquo;s actions and express the machine&rsquo;s personality and emotions. As you design sounds for Trash Bot, think about how each sound will guide users through their interactions with Trash Bot and&mdash;just as importantly&mdash;transform an anonymous machine into an appealing, human-like presence.</p> Tue, 24 Oct 2017 08:17:51 +0200 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Group Show - MoMA (Museum of Modern Art) - November 11th, 2017 - November 4th <div class="container__section"> <p style="text-align: justify;">This presentation in the Museum&#39;s fourth-floor collection galleries will focus exclusively on works made by artists in their mid to late careers. Spanning from the late 1960s to today, the installation chronicles the many years of sustained experimentation, daring invention, and thoughtful reconsideration that distinguish an individual artist&rsquo;s career long after his or her breakthrough moment. Highlighting lesser-known works by prominent artists and key works by some less familiar names, <em>The Long Run</em> provides another view of the history of art over the last half century. All works are drawn from MoMA&#39;s collection, and includes examples by Lee Bontecou, Louise Bourgeois, Melvin Edwards, Gego, Philip Guston, David Hammons, Jasper Johns, Joan Jonas, Maria Lassnig, Elizabeth Murray, Georgia O&rsquo;Keeffe, Gerhard Richter, and many others.</p> <div class="calendar-credits"> <p style="text-align: justify;">Organized by Paulina Pobocha, Associate Curator, and Cara Manes, Assistant Curator, Department of Painting and Sculpture.</p> </div> </div> Mon, 30 Oct 2017 17:39:58 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list Ivan Wong - 1207 Ocean Avenue - November 1st, 2017 - August 31st <p><br /> The&nbsp;outdoor art installation,&nbsp;<strong><em>Monster,&nbsp;</em></strong>is artist <strong>Ivan Wong</strong>&rsquo;s impassioned response to the increasing threats of natural and human-made disasters. A large enamel and vinyl billboard standing on the beach of Mantoloking, NJ, where the ocean breached the shore during Hurricane Sandy in 2012, the&nbsp;artwork captures the luminescent and intersecting forces of sky and ocean, overlaid with the word &ldquo;monster&rdquo; in Japanese, which emerges on the shore like Godzilla.&nbsp;As the viewers move around the billboard and the light moves across it, the&nbsp;letters&nbsp;appear or disappear.</p> <p>Monster is&nbsp;presented by the New York- and Los Angeles-based&nbsp;American fine art studio&nbsp;DANIELLE.</p> Wed, 06 Dec 2017 22:10:59 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - The Metropolitan Museum of Art - October 21st, 2017 - July 22nd <div class="rich-text"> <p style="text-align: justify;">This exhibition explores how real and mythical animals&mdash;such as the dragon, unicorn, phoenix, lion, ox, and butterfly&mdash;are depicted on luxury materials of late imperial China. Presenting 20 textiles and 50 lacquers spanning several hundred years&mdash;from the 13th to the 19th century&mdash;the exhibition highlights the imagery on a wide range of objects: dragon robes, rank badges, and tapestry panels for interior decoration, as well as many different types of lacquer vessels from imperial workshops. The objects are drawn exclusively from The Met collection, and some have not been on display for several decades.</p> <p style="text-align: justify;">Among the works on view are two carved red-lacquer pieces from the early 15th century: <a href="https://www.metmuseum.org/art/collection/search/40213">dish with two birds and peonies</a> has a lavish image treatment typical of the period; and <a href="https://www.metmuseum.org/art/collection/search/60870">sutra box with dragons amid clouds</a>, which depicts a sinewy dragon, is representative of the elegant boxes produced for use both at the court and as diplomatic gifts, particularly to Tibet. Also of note is a late 19th- to early 20th-century woman&#39;s informal robe covered with embroidered butterflies.</p> </div> Tue, 30 Jan 2018 09:32:04 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - The Metropolitan Museum of Art - October 21st, 2017 - July 22nd <p style="text-align: justify;">This exhibition presents a selection of the most refined works from the Bishop collection of jade, the most esteemed stone in China. The works on view represent the sophisticated art of Chinese lapidaries during the Qing dynasty (1644&ndash;1911), as well as the highly accomplished works of Mogul Indian (1526&ndash;1857) craftsmen whose skill inspired their Chinese counterparts. Also on display are a set of Chinese lapidary tools and illustrations of jade workshops, which introduce viewers to the traditional method of working jade.</p> Fri, 22 Dec 2017 13:32:28 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - The Metropolitan Museum of Art - December 4th, 2017 - September 3rd <p style="text-align: justify;">As avatars of royal power and authority in Western Cameroon, <em>tsesah</em> crests by Bamileke artists stand out for their monumental scale and bold interpretations of the head. In celebration of The Met&#39;s recent acquisition of a rare 18th-century masterpiece, the exhibition presents this <em>tsesah</em> crest along with three examples drawn from other collections. Only 15 works from this genre survive, and this presentation is the first opportunity in the United States to view a group of these epic creations together.</p> <p style="text-align: justify;">The exhibition is made possible by the Friends of Africa, Oceania, and the Americas: Art of Five Continents, with additional support from Kyveli M. Alexiou and Javier Peres.</p> Fri, 22 Dec 2017 13:34:06 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - The Metropolitan Museum of Art - October 11th, 2017 - September 30th <div class="rich-text"> <p style="text-align: justify;">In 1908, The Metropolitan Museum of Art began to excavate late-antique sites in the Kharga Oasis, located in Egypt&#39;s Western Desert. The Museum&#39;s archaeologists uncovered two-story houses, painted tombs, and a church. They also retrieved objects that reveal the multiple cultural and religious identities of the people who lived in the region. The finds represent a society between the third and seventh centuries A.D., a time of transition between the Roman and early Byzantine periods, which integrated Egyptian, Greek, and Roman culture and art.</p> <p style="text-align: justify;">This exhibition features some 30 works from these excavations. By grouping objects according to the archaeological context in which they were discovered, the exhibition explores the interpretation of ancient identities and artifacts and shows how archaeological documentation can assist in understanding an object&#39;s original function. On view are ceramics, ostraca (pottery shards used as writing surfaces), jewelry from burials, glassware, coins, copies of frescoes with early Christian images, and early 20th-century site photography.</p> </div> Fri, 22 Dec 2017 13:36:53 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list - The Metropolitan Museum of Art - December 16th, 2017 - December 16th <p style="text-align: justify;">The single most potent symbol of Buddhist ritual as performed in Nepal is the Vajracarya priest&#39;s crown. Five examples presented in this exhibition create a cosmic field into which viewers enter, encircled by paintings of ritual performance. The exhibition is occasioned by the recent acquisition of a superb early Vajracarya crown dating to the 13th or early 14th century; this is joined by an 18th-century crown already in the collection and two others recently discovered in the Department of Arms and Armor. Bronze and wooden ritual utensils, Nepalese cloth paintings, and archival photographs of ritual enactment complete the exhibition.</p> <p style="text-align: justify;">The exhibition is made possible by The Miriam and Ira D. Wallach Foundation Fund and Dipti B. and Rakesh Mathur.</p> Tue, 30 Jan 2018 09:34:26 +0100 https://www.artslant.com/ny/Events/list https://www.artslant.com/ny/Events/list