Bigindicator

Cecilia Welden

Profile  |  Artworks  |  Exhibitions  |  Network  |  Comments
20121129043020-eastshorefactory
EastShore Factory Patina on Copper 24" X 24" X 1.5"
20121129042942-baybridge
Bay Bridge Patina on Copper 24" X 24" X 1.5"
20121129043243-millerplant
Miller High Life Patina on Copper 24" X 24" X 1.5"
20121129043541-clackamas_county_bridge
Clackamas County Bridge Patina on Copper 24" X 24" X 1.5"
20121129043846-teatro_de_havana
Teatro de Havana Patina on Copper 24" X 24" X 1.5"
20121129044332-green_mill
The Green Mill Patina on Copper 24" X 24" X 1.5"
20121129044608-transformer
Transformer (Bride of Frankenstein) Patina on Copper 24" X 24" X 1.5
20121129065248-city_streets
City Streets Patina on Copper 24" X 24" X 1.5"
20121129045439-city_sidewalk_study__mixed_media
City Sidewalks Conte on Ink 16" X 16"
Quick Facts
Birthplace
Bay Area
Lives in
San Francisco
Works in
Copper Drawings, oil, wax
Schools
SFSU (San Francisco State University), 2001, BA Fine Art
Tags
bay area, bridge, urban landscape, Industry, beer, night, bar, mixed-media
Copper Drawings by Cecilia Welden

Change is happening all around us.  Physical change we see visibly, subtle change that occurs within our hearts and minds, and political change that shape our livelihoods and future.

 

The historical implications of a building and architecture, function and history are evolving stories with a rich past.  Who was it made for? What was its original function and what is it used for now?  Has it fallen from its former glory due to change in manufacturing/trading demands or has it become a celebrated icon harkening back to a time splendor and pride. Do all people see it in that way?   These questions inspire me to develop images that question how time and history affects the way we see a building, how it is used and why.

 

I have chosen to “draw” the images of buildings with patina on 24” square by 1 ½” deep copper pans constructed by sheet metal fabricators in the heating and plumbing industry.  Using ammonia, vinegar, lemon juice, red wine and San Francisco rain, I achieve a dark wash on the copper and then polish subtractively to form the shape of the building. The copper reacts with the different acids unpredictably making it an appropriate medium when delving into the subject of time and history