Bigindicator

Caitlin Hackett

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Heron
Undone, 2008-09 Ballpoint Pen, Watercolor, Ebony Pencil, Colored Pencil, Gesso 56.4" by 67.2" © Caitlin Hackett
Twoheadedbird
Ballpoint Pen, Watercolor, Colored Pencil, Ebony Pencil 56.4" by 57.2" © Caitlin Hackett
Fox
Ebony Pencil, Gesso 56.4" by 25.2" © Caitlin Hackett
Fish
Oranda , 2008-2009 Ballpoint Pen, Watercolor, Colored Pencil, Ebony Pencil 56.4" by 88" © Caitlin Hackett
Detail2
detail shot, 2008-2009 Ballpoint Pen, Watercolor, Colored Pencil, Ebony Pencil © Caitlin Hackett
Chimp2
Ballpoint Pen, Water Color, Micron Pen, 23" by 33.2" © Caitlin Hackett, Christina Mrozik
Chimpdetail
detail shot, June-July 2008 Ballpoint Pen, Water Color, Micron Pen, © Caitlin Hackett, Christina Mrozik
Galleryshot1
gallery shot, 2009 © Caitlin Hackett
Picture-7_under200k
Detail of "In the Aftermath" Ballpoint Pen, Water Color, Colored Pencil, Ebony Pencil and Gesso 56.4x67.2 Inches © Caitlin Hackett
20130917135926-c
Ghosts in the Night, 2013 Ballpoint Pen, Watercolor and Colored Pencil on Cold Press Water Color Paper 8 X 10" Framed © Courtesy of the Artist and Arch Enemy Arts
20150918181810-_ghosts_from_the_flood_plain___22_x_30___ballpoint_pen__water_color__and_colored_pencil_on_paper_sm
Ghosts From the Flood Plain Ballpoint Pen, Water Color and Colored Pencil on Paper 22 X 30"
N17401570_31086500_2215
Quick Facts
Birth year
1986
Lives in
Brooklyn
Works in
New York and California
Tags
surrealism, figurative, conceptual
Statement


In my work I am exploring the relationship between humans and animals; the idea of the human denial of our animal nature and of humans as the dominant species, as well as the mutation of the animal created by the human interpretation of the animal. My work alludes to the boundaries that separate humanity from animals both physically and metaphysically, as well as the objectification of and personification of animals. I invent creatures, anthropomorphic, mutated, or pseudo mythical in imagery, using my imaginary world and bringing it into the physical world in an attempt to create a language that speaks about the human animal relationship and the natural and unnatural elements of it.  I am faced with the fact that we live in a planet in decline, where almost every natural ecosystem in the world is slipping away. Human kind has created a planet of refugees; animals forced to flee ever farther from the insatiable encroachment of urban development, victims of a war for space which they cannot hope to win.  My drawings refer to this decline and to the refugees it has created.  I am left with the question of what is natural; are we (human beings) still a part of nature?  If so, does that make all that we have created, cities, vehicles, factories, all technology, part of nature as well?  As we move into an increasingly plastic, electronic, and robotic culture how can we define our own fundamental nature as the nature of the world around us changes and our metaphysical identity evolves into something beyond the human as an animal? As we separate from our animal nature, will we be able to still see and understand the importance of other animals and our relationship to them? As we are able to remove ourselves from our own physical bodies and to come to experience life through the metaphysical, the digital, and the psychic, how will this distance from our own bodies and the physical experience of the world affect our relationship with nature and the way we see creatures who exist completely within their physical bodies and are defined by their physical needs?
As my work evolves I am beginning to think more and more about the way in which people bestow identity and how, deprived of identity, animals are reduced to a kind of living taxidermy, a costume of themselves, subject to human apathy and mutated by human ideals of beauty or monstrosity. I am telling a story about disappearance and the rapid and extravagant destruction of the human-animal, and how this loss of our animal nature is affecting the way human kind views the animal world.
I am describing these questions through the use of paper and ink in the form of life sized anthropomorphic creatures, which are installation pieces. Done entirely in ballpoint pen, ink, graphite, watercolor and colored pencil, these massive creatures are a balance between the power and physical presence of the life sized and the intensity of the dense, delicate, and time consuming detail of the ballpoint pen and ink. Because of their great size and vivid detail these animals are released into our world and become characters that must be addressed in terms of our physical space, and thus granted an identity.