Bigindicator

David Booth

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Eyoke, 2015 Oil on Canvas 89 X 127 © david booth
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Putin, 2016 Oil on Canvas 25 X 30cm © david booth
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Putin (detail), 2016 Oil on Canvas 25 X 30cm © david booth
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Municipal, 2015 Oil on Canvas 89 X 54cm © david booth
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Perfect Imperfection, 2010 Oil on Canvas 170 X 136 © David Booth
20130612085627-oh__thomas__b__-_126_x_95_-_oil_on_canvas_-_2012
Chin, 2012 Oil on Canvas 126 X 95 © David Booth
20130612085929-oh__thomas__a__-_126_x_95_-_oil_on_canvas_-_2012
For in which you are, 2012 Oil on Canvas 126 X 95 © David Booth
20130612090816-silhouette_-_122_x_84_-_oil_on_board_-_2012
Silhouette, 2012 Oil on Board 122 X 84 © David Booth
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Platyrrhines I, 2013 Oil on Canvas © david booth
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Platyrrhines I (Detail), 2013 Oil on Canvas 170 X 130 © David Booth
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Platyrrhines I (Detail), 2013 Oil on Canvas © David Booth
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Platyrrhines II, 2014 Oil on Canvas © david booth
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Platyrrhines II (Detail), 2015 Oil on Canvas 187 X 89cm © david booth
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Benignity, 2009 Ink on Board 30 X 30 © David Booth
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Reverie, 2013 Ink on Board 30 X 30 © david booth
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Untitled - B, 2009 Oil and Acrylic on Canvas 134 X 196 © David Booth
20160302121306-untitled_a_-_155_x_102_-_oil_on_canvas_-_2009
20130612085627-oh__thomas__b__-_126_x_95_-_oil_on_canvas_-_2012
Chin, 2012 Oil on Canvas 126 X 95 © David Booth
20130612085929-oh__thomas__a__-_126_x_95_-_oil_on_canvas_-_2012
For in which you are, 2012 Oil on Canvas 126 X 95 © David Booth
20130612090816-silhouette_-_122_x_84_-_oil_on_board_-_2012
Silhouette, 2012 Oil on Board 122 X 84 © David Booth
20160302124342-12764519_10206896694028805_4065662154972020737_o
Quick Facts
Birthplace
Dublin
Birth year
1986
Lives in
Dublin
Works in
Dublin
Schools
Gorey School of Art, I.T Carlow, Wexford, 2005, BA Hons
Representing galleries
none
Tags
mixed-media, realism, surrealism, traditional, figurative
Statement

Born in 1986 in Dublin, Ireland. David Booth received his BFA in 2009 from 
the Institute of Technology Carlow. David currently lives and works from Dublin City. He deals with the 
figure as the central source of his work. He looks to prospect, using the human form through 
painting to archive and index the immediate, looking to catalogue the persons as 
people, a species, diverse in its inflection, expressions and its casing.