Bigindicator

JenClare B. Gawaran

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20110731005918-manika
Manika, 2009 Serigraph, Lithograph, Chine Colle, Collage 20" X 38" © JenClare B. Gawaran
20110731011451-dsc_0070
Thirty Minutes to Oblivion, 2009 Serigraph 48" X 72" © JenClare B. Gawaran
20110731011542-dsc_0077b
Pitong Sapatos, 2009 Serigraph 48" X 132" © JenClare B. Gawaran
20110731010052-love_the_america
Love the America, 2009 Serigraph, Chine Colle, Collage 30" X 49" © JenClare B. Gawaran
20110731011731-dsc_0073
Pamaypay, 2009 Three-dimensional Collage of Serigraph, Chine Colle and Embossing 19" X 15" (each © JenClare B. Gawaran
20110731010226-sa_labang_kamay
Sa Labang Kamay Lamang, 2009 Serigraph, Chine Colle, Collage 10" X 40" © JenClare B. Gawaran
20110731010909-lamenation_keepsakes
Lamentation Keepsakes, 2010 Film Reel Box, Fabric, Serigraph, Reproduction Tom Tierney Paper Doll, Vintage Wedding Card and Northwest Orient Luggage Tag (approx.) 12" X 12" X 2" © JenClare B. Gawaran
20110731011241-congratulations2
Congratulations!, 2010 Mixed Media 24" Diameter © JenClare B. Gawaran
20110731010417-untitled
Jim Likes Take Out, 2008 Three-dimensional Collage of Serigraph and Chine Colle 9" X 20" X 1" © JenClare B. Gawaran
20110731010607-asam
Asian/American, 2008 Three-dimensional Collage of Serigraph, Chine Colle and Found Object 8" X 10" X 2" (each) © JenClare B. Gawaran
20110731011939-firstaidnausea
First Aid Nausea, 2007 Serigraph, Chine Colle 12" X 37.5" © JenClare B. Gawaran
20110731012128-hellohello
Hello? Hello?, 2007 Serigraph, Chine Colle 11" X 22" © JenClare B. Gawaran
20110731012252-bunga
Bunga (Consequence), 2006 Serigraph 25" X 19.5" © JenClare B. Gawaran
Quick Facts
Works in
Detroit
Tags
printmaking
Statement

The pursuit to understand my cultural identity is perpetual.  The more I learn about my place between Western and Eastern cultures, the more questions I continue to search answers for.  As a Filipino-American born and raised in the Midwest, my work is the result of my research to understand how these cultures have shaped the person I am today.  In recent years, my work has focused on general stereotypes and expectations of me: as an Asian, a Filipina, an American and a female.  I explore how I either conform to or defy these ideas.  In effort to confront these stereotypes and expectations, my work resulted in imagery that was satirical and ironic.

My search for cultural identity remains a constant in my work, but recently, I have been introducing several influences which are more specific to this current stage in my life.  I’ve focused very much on my current and past relationships.  Choices I’ve made, whether of my own will or molded from expectations of others, have impacted these relationships.  In turn, they have affected who I am now.  It is not my intention to dwell on these choices, since they are said and done, and now I am bound by them.  I feel creating these pieces are a way to both mourn my past relationships and celebrate new ones. 

Culture and relationships, though dominant ideas in my work, are not the only influences here.  Various little infatuations often infiltrate my thoughts: language and communication, letter-forms and typography, even vague childhood memories of an endless array of Merry Melodies.  Naturally, all these manage to surface into my imagery.  Some of these ideas help me further reflect on my background, while others are downright silly.  In either case, I welcome these additions to my work, as they represent different facets of my character.