Thomas Levy

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Blue is the colour of depth, 2016 Oil On Canvas 46x52
Sensing Spaces, 2016 Oil On Cancas 60x72
Perception of space, 2016 Oil Iridescent Pigment & Graphite On Un Stretched Canvas 50x70
Windows of perception, 2016 Oil On Glass 6 Panels Of 12x13"
Schematic dreams, 2016 Oil Ink & Graphite On Linen Attahed To Drywall 22x34"
Balls deep, 2017 Oil Ink & Graphite On Linen Attached To Drywall 22x34"
plan: the ghost of nigel, 2017 Oil Mylar Charcoal & Graphite On Un Stretched Linen 22x34"
Manet's olympia, 2016 Oil On Canvas 24x18"
paint rose flower drip expression beauty angst , 2017 Oil On Board 18x24"
Playing destruction, 2016 Oil On Canvas 11x14"
Negative impression, 2016 Oil And Iridescent Acrylic On Canvas 12x16"
Spring=pretty, 2017 Oil On Canvas 38x48"
Installation view of work, 2017 Mixed
Something, 2017 Oil On Canvas 50x48"
Time lines, 2014 Oil On Canvas 70x59"
Notes on windows, 2016 Oil & Graphite On Un Stretched Canvas 49x55"
Topsy-turvy, 2016 Oil And Graphite On Un Canvas 50x60"
Quick Facts
Reading u.k.
Birth year
Lives in
New york city
Works in
New york city
Goldsmiths, University of London, 2011, Fine art and history of art ba
New York Academy of Art, 2017, Mfa

Tom Levy (b.1987, Reading, UK) is a British artist who at the age of 18 began his artistic studies at the Cyprus College of Art, where he earned his foundation undergraduate BA in fine art, 2008. Between 2006 and 2008, Levy became an integral part of the Cyprus College community, later being awarded a four month fully paid residency at the school. In 2008, Levy returned to England to continue his studies, where he graduated with a BA in Fine Art and History of Art at Goldsmiths University in 2011. Levy has exhibited in a number of group exhibitions in both London and internationally, culminating in a solo exhibition, entitled Visual Meditations, in East London of August 2015. In May 2017 Tom graduated with his MFA from the New York Academy of Art where he was awarded three of the Academy's major honours. Currently he is artist in residence at New Yorks lower east sides 1969 gallery. 

The overriding themes throughout my work, always finds links to the other, the unexplainable and yet questionable, inspired by ideas behind eastern philosophy and western particle physics. The sublime, the abyss, inspiration, what is the meaning of exploration. In a metaphysical way the work attempts to navigate these subjects. Dipping in and out of what takes hold of his imagination, and rather scientifically exploring the notion of imagination and inspiration. By using abstract painting and teetering on the edge of representation, often the two are in flux. The work ranges from abstract colour-field style paintings on glass, to highly detailed figurative compositions, to gestural and intuitive abstract drawings on paper or canvas. For me, the unifying thread is the constant, obsessive search for new modes of experimentation and expression, as well as a kind of impossible search for finite answers in the infinite act of art-making. 


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