Bigindicator

Benjamin Busch

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Distinct from the droves of international biennales and triennials birthed in recent decades, the Skulptur Projekte Münster (Sculpture Projects Münster) sets itself apart as an unparalleled cultural moment once every 10 years that places strong emphasis on site-specificity and encourages long-term artistic study. The decennial’s first edition in 1977, curated by Klaus Bussmann and Kasper König, sparked controversy by radically implanting works of renowned sculptors in Münster’s conservative... [more]
According to artist, writer, and theorist James Bridle, the autonomous car and the issues it raises stand in for many of the questions facing humanity today: what will ultimately result from our relationship with technology and artificial intelligence? How will we collectively adapt to world where jobs—like truck driving—have been automated out of existence? How will we deal with increasingly opaque, complex systems of governance and exchange? Bridle, whose work spans a variety of topics... [more]
For Athenians, the presence of Documenta in Athens has raised a number of questions, including most importantly: how will this German-funded meta-exhibition transform the city, and what will happen after it has run its course? Yet for most Athenians, Documenta 14, whose tagline is “Learning from Athens,” will likely go unnoticed or even appear superfluous against the burdens of everyday life in the Greek capital. To be clear, while the exhibition does include Athenian and Greek artists, and... [more]
What are the implications of media in today’s so-called post-truth society? Mediating technologies permeate everyday life, and rather than serving an emancipatory agenda, they tend to reinforce baked-in prejudices and ideological assumptions. Global media corporations like Google and Facebook extract billions of dollars of surplus value by exploiting their users’ self-generated, cultural and biometric information. Positive feedback loops like “fake news” emerge as the expression of such... [more]