Bigindicator

Richard Lund

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Green_and_yellow_array
Untitled, 2009 Mixed Media 24"X3" © 2009
20110215142417-blue_and_white_3_-_1
Untitled, 2011 Mixed Media 30"X30"X3" © 2011
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Nightside, 2010 Mixed Media 24"X24"X3" © 2010
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Mixel Pixel 1, 2011 Mixed Media 24"X24"X1" © 2011
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Pink Moon, 2011 Mixed Media 30"X24"X3" © 2011
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Last Parade, 2011 Mixed Media 30"X24"X3" © 2011
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Untitled, 2011 Mixed Media 30"X24"X3" © 2011
20120829231302-somewhere_out_there_-_1
Future Islands, 2012 Mixed Media 36"X3" © 2012
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Mixel Pixel 2, 2012 Mixed Media 24"X24"X1" © 2012
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Crowded Universe, 2012 Mixed Media: Faucet Handles, Bottle Caps, Buttons, Wall Protectors, Shower/Sink Strainers, Drawer Pulls, Cut Plastic And Paint On Acrylic 30"X24"X3" © 2012
20171029123456-untitled_-_755_kb
Untitled, 2017 Mixed Media 16" X 20" X 2"
Richie
Quick Facts
Schools
Statement

Working with mixed media to create assemblage wall art, my current body of work is abstract, colorful, and textural. I approach art-making with a purely aesthetic and creative method, meaning I allow my mind's eye to envision a desirable composition and then find the materials needed to create it. For me, this results in the most expressive and effective way to produce a meaningful work. 

Operating from my apartment in Long Island City, New York, I tend to work on projects as ideas occur. A mental, emotional, and even physical need to create arouses my spirit, and that is when I work best. My work is relief-style sculpture which incorporates everyday items and found objects. As I create in this style, patterns of color and texture develop, and symmetry and asymmetry become especially pronounced. In some pieces I use grid-like modules, while in others I allow more freedom of movement by placing assorted pieces in rhythmic arrangements.

 The assemblages I make incorporate a concoction of media, primarily everyday items and found objects. The act of creating art from mundane materials presents a stimulating challenge that provides a basis for my motivation. At some point, a profound conversion occurs. As I build my pieces using techniques such as laser cutting, surface treatments, and joining methods, I see this transformation slowly take place. This process of subliminal metamorphosis of materials drives me to continue in my current series.