Bigindicator

Alex Anderson

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Using icons and imagery from childhood fairytales, anime, and classical western art, Greg Ito paints unique moments that form a larger narrative around psychology, love, and life. Each economical vignette evokes a sense of wonder, magic, loneliness, and an underlying darkness characteristic of the contemporary human condition. With diagrammatic precision, Ito gives form to the intangibility of affect as it relates to the lived and imagined worlds we experience when we inevitably fall into his... [more]
This excerpt from Malcolm X’s 1962 speech, “Who Taught you to Hate Yourself?,” which recently resurfaced in Beyoncé’s Lemonade, resonates and takes form at Hammer Projects: Simone Leigh, curated by Jamillah James. Engaging with notions of racial commodification, assimilation, code switching, and body image, Leigh reveals a certain darkness and developed grace in the life of the black woman in America today. From the lobby of The Hammer, we see the exhibition’s central work: Cupboard V.... [more]
Genevieve Gaignard is a magician. She sees you and she sees you seeing her. Revealing our experience and understanding of race, gender, sexuality, and their complex perceptions under the western heteropatriarchal gaze, the Los Angeles-based artist uses self-portraiture and sculpture to find truth in the abstract aporia of identity. The characters she creates and portrays engage with the aesthetic language of Afropunk, substance chic Hollywood glamor, and the suburban working class of... [more]
    Shuster + Moseley – London Alex Anderson – Los Angeles Benjamin Cohen – London     ArtSlant supports thousands of contemporary artists through our outreach and exposure programs—come join the best online arts community today!       [more]
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Nathan Mabry: Postmodernist Sculpture for a Modernist's World   Pick-button-f22fa879042524f5c7b8d2278b2983b8
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Nathan Mabry at Cherry and Martin April 2nd, 2016 - May 14th, 2016
Posted 4/25/16
Nathan Mabry’s exhibition , at Cherry and Martin, opens with a black, partially abstract, figurative sculpture suggestive of indigenous art placed on an oil drum. The upper half of this totemic form seems to have emerged from the drum, its dark and glutinous texture reminiscent of tar. With this opening work, Mabry succinctly kicks off the show with a meditation on the fetishism of early peoples and their artifacts, as well as the loss of these cultures as a result of modern... [more]
From the didactically ornate, magical sculptures of Adrian Arleo to the pensive and powerful busts of Jacob Foran, Abmeyer+Wood gallery’s current exhibition represents a range of aesthetics that reflect the potential of ceramics today. Bringing together some of the most established names in contemporary ceramic art—including Patti Warashina and Richard Notkin—it also introduces some emerging artists working in a medium many once thought of as limited to cups and bowls. Adrian Arleo, Apiary... [more]
One issue that weighs on my psyche as an artist working in the realm of realism is that of understanding the attraction to and value of created nature in art. In my own work, I create and preserve moments from nature as a statement on the transience of life. But, during my wanderings through picturesque parks and other abundantly verdant spaces in Seattle, my current city of residence, I began to question why we seek to recreate imagery from the organic world when it already appears perfectly... [more]