William Klein

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Black Woman, Profile in Crowd , 2001 Iris Print 12 X 14 In © Courtesy of the artist & Opus Art Ltd
Class of ‘55 , 2001 Iris Print 12 X 14 In © Courtesy of the artist & Opus Art Ltd
I Love Secretaries , 2001 Iris Print 14 X 12 In © Courtesy of the artist & Opus Art Ltd
Supermarket and Gun , 2001 Iris Print 14 X 12 In © Courtesy of the artist & Opus Art Ltd
Barbara in the 20’s , 2001 Iris Print 14 X 12 In © Courtesy of the artist & Opus Art Ltd
© Courtesy of the artist and Maison Européenne de la Photographie
Piazzale Flaminio, 1956 © Courtesy of Maison de la Photographie
Atomic Sky, New York, 1955 © Courtesy of Flo Peters Gallery
Candy Store , 1955 © William Klein
Smoke + Veil, Paris 1958 © William Klein
Gun 1, NY 1955 (painted 2005) © William Klein
candy store new york , 1955 © william klein
Far From Vietnam, 1967
Mister Coney Island, Brooklyn, 2013 © Courtesy of the artist and Polka Galerie
A still from the movie ´Who Are You, Polly Maggoo?', 1966 © Courtesy of the Artist and Stedelijk Museum
Pigeons and Unchained, New York 1955 Unique Painted Contact 50x60cm © William Klein
Danseurs de Buto (Kazuo Ono), Tokyo, Japon, 1961 © Courtesy of the Artist and Polka Galerie
Dancing Sticks I & II, 1952 Gelatin Silver Print, Printed Later 90 X 75 Cm © William Klein courtesy HackelBury Fine Art
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William Klein is a photographer and filmmaker noted to for his ironic approach to both media and his extensive use of unusual photographic techniques in the context of photojournalism and fashion photography.

Trained as a painter, Klein studied under Fernand Léger and found early success with exhibitions of his work. However, he soon moved on to photography and achieved widespread fame as a fashion photographer for Vogue and for his photo essays on various cities. Despite having no training as a photographer, Klein worn the Prix Nadar in 1957 for New York, a book of photographs taken during a brief return to his hometown in 1954. Klein's work was considered revolutionary for its "ambivalent and ironic approach to the world of fashion", its "uncompromising rejection of the then prevailing rules of photography" and for his extensive use of wide-angle and telephoto leneses, natural lighting and motion blur. The world of fashion would become the subject for Klein's first feature film, Who Are You, Polly Maggoo?, which, like his other two fiction features, Mr. Freedom and Le Couple Témoin, is a satire.

Though American by birth, Klein has lived and worked in France since his late teens. His work has sometimes been openly critical of American society and foreign policy; the film critic Jonathan Rosenbaum once wrote that Klein's 1968 satire Mr. Freedom was "conceivably the most anti-American movie ever made."

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