Reality is perception of Reality. Art is a perpetual replication perceptive. A renewed and continued exploration of perception.The enigma of consciousness, of perception, of what is perceived. Expressive impersonality. Intensity in attention, eternal calm. Return to silence, to origin.
Unique creative paradigm: with minimal action maximum nothing.
Interdisciplinary author. He approaches art from philosophy. As a way of knowledge, as a way of research. Member of AEAE (Spanish Association of Writers and Artists), AVAM (Visual Artists Associates of Madrid), SGAE (General Society of Authors and Editors of Spain), VEGAP (Visual Management Entity of Artists Plastics), AMEE (Spanish Association of Electroacoustic Music) and PROMUSCAN (Association for Promotion Music in Canary Islands).
He has shown his work in solo and group exhibitions national and international. In Las Palmas de Gran Canaria (Casa de Colón, Galería Botticelli, Galería Balos, Club de Prensa Canaria, Castillo de La Luz); Lanzarote (Castillo de San José, I Certamen Internacional de Artes Plásticas); Tenerife (Colegio de Arquitectos, Colegio de Delineantes, Centro de Arte Ossuna de La Laguna); Arles and Paris (Van Gogh Salle D´Art, Galerie Métanoïa), in France; Madrid (Galería Kandinsky, Galería Novart, Galiarte-96, Fundación Gregorio Sánchez); Salamanca (Museo Provincial, Palacio de La Salina, I Certamen Nacional de Investigación Plástica); New York (Ward-Nasse Gallery). Present in different events of electroacoustic music: international festivals “Punto de Encuentro”, in Spain (Círculo de Bellas Artes and Sala Manuel de Falla, in Madrid; Conservatorio Superior de Música and Museo Elder de la Ciencia y Tecnología, in Las Palmas de Gran Canaria); and Loophole Space, in Berlin. In Italy (Spaziomusica, Festival of Contemporary Music, in Cagliari, Sardinia); in Sweden (Stockholm Electronic Arts Award-Sound and Space, Fylkingen). Auditions in Fundació Joan Miró and Centre de Cultura Contemporánia de Barcelona (CCCB), in Barcelona, Conservatorio Profesional de Música de Cuenca, Fundació Pilar i Joan Miró, in Mallorca, Club Diario Levante, in Valencia, and the Jornadas de Música Electroacústica, Espacios Sonoros, in Centro Atlántico de Arte Moderno (CAAM) of Las Palmas de Gran Canaria. "Panspermia Electroacústica" at the Planetario de Cuenca; concert "Let's Save Cuenca's GME" at ICEM Unesco in Lisbon, the International Festival of Romania, Simultan, "Talking to Strangers", in Timisoara, Romania, Facultad de Bellas Artes, Universidad Castilla / La Mancha (UCLM) in Cuenca, in the Intermedia Department at the Fine Arts Academy of Krakow, ICEM Unesco in Poland, and GlogauAIR Space in Berlin. Also in "Ars Sonora" and "Música Viva", Radio Clásica, of RNE. And TVE in Canary Islands.
Invited by Universidad Internacional Menéndez Pelayo (UIMP) at the "III Seminario Internacional Sobre Música y Ordenadores", in Cuenca. And at the commemoration of the "50 Years of Concrete Music", in Paris -Radio France International- 1998, with Daniel Teruggi, Director of GRM, Paris, and Pierre Henry, creator and highest historical reference of this movement since 1948.
Extracts critical about the work:
“... is aware of what it does and why does it... his painting has a lot of conceptual... knows that the art is a process, an elaboration of ideas... difference very well what is the space-appearance of what is the space-experience... much closer to the ready made duchampian that of action painting... breaks with any rhetorical sense in his painting for to objectify the explicit content of a motive for reflection...”. (Agustín Quevedo. DIARIO DE LAS PALMAS. Las Palmas de Gran Canaria).
“... structure of orderly disorder, of disturbing significance in its assessment and subsequent cancellation of the symbol, in the vast spatial multiplicity that creates... plastic ambivalence of refined ideation and expressive appoggiatura... multiplicity of themes and procedures, of similar or disparate elements which combine in paradoxical compositions...”. (José María Iglesias. GUADALIMAR, Magazine of Art. Madrid).
“... the artist's thought is complex: he tries to understand the hidden origins of the internal ideas that constitute the secret of art and its externalisation mechanism... the elaborate work would have to be understood as a metalinguistic product in permanent act of unveiling... is not a musician or painter; is a creator philosopher, above the music or paint...”. (Lothar Siemens. LA PROVINCIA. Las Palmas de Gran Canaria).
“... variety of possibilities that the painter arises himself and the viewer; all of them interesting and inscribed in a vanguard, that, without ceasing, finds new diversifications and terms to define them... quality painter, intelligent and prepared to explore a new way in the spanish contemporary art...”. (Javier Rubio. ABC de Las Artes. ABC. Madrid).
“... reminiscences of previous visual experiences through transformations that reveal a new vision... the artist makes, constructs, from the distance, from thought, from reflection... archaic presence, absence of color... dark work, silent, of an almost religious asceticism... no expression of reality but expression of ideality...”. (Luis Garcia de Vegueta. DIARIO DE LAS PALMAS. Las Palmas de Gran Canaria).
Exhibitions, auditions and recordings with relevant artists:
José Guerrero, Antoni Tàpies, Sam Francis, Fernando Zóbel, Manuel Rivera, Álvaro Delgado, Josef Albers, Picasso, Luis Caruncho, Oswaldo Guayasamín, Juan Gomila, Eusebio Sempere, Victor Vasarely, Joan Miró, Manuel Viola, Rafael Canogar, Hernández Mompó, Esther Ferrer, César Manrique, Juan Hidalgo, Llorenç Barber, Eduardo Polonio, Concha Jerez, Andrés Lewin-Richter, Joan Guinjoan, Zulema de la Cruz, Gabriel Brncic, Julio Sanz, Emiliano del Cerro, José Iges, Fátima Miranda, Jesús Villarrojo, José Manuel Berenguer, Mercé Capdevila, Josep María Mestres Quadreny, Adolfo Núñez, Consuelo Díez, Pep Nuix, and others.
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