Frank Auerbach

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Self-Portrait, 2009 Pencil, Acrylic, Graphite, Crayon And Indian Ink 76.5 X 57.8 Cm.(30 1/8 X 22 3/4 In.) © Frank Auerbach
Tower Blocks, Hampstead Road II , 2007 Oil On Board 20 X 18 In / 50.8 X 45.7 Cm © Courtesy of the artist & Marlborough Fine Art Ltd.
Head of Jake , 2006-2007 Oil On Canvas 61.3 X 55.9 Cm / 24.1 X 22 In © Courtesy of the artist & Marlborough Fine Art Ltd.
David Landau , 2007 Etching On Paper Image Size: 40.4 X 29.6cm (16 X 11¾ Inches) Paper Size: 63 X 50.5cm © Courtesy of the artist & James Hyman Gallery
Ruth , 2006 Etching On Paper Image Size: 40 X 29.5cm (15¾ X 11½ Inches) Paper Size: 63 X 50cm © Courtesy of the artist & James Hyman Gallery
Julia © Richard Green Galleries, London
© Courtesy of the Artist and Marlborough Fine Art
Installation of exhibition
Christmas Tree at Mornington Crescent, 2004-2005 Oil On Canvas 133.4 X 155.6 Cm
Head of Ruth Bromberg, 2001-2 Oil On Board 45.7 X 51.1 Cm © Courtesy of Ben Brown Fine Arts Hong Kong
Head of David Landau , 2010 Graphite, Charcoal, Chalk And Pencil On Paper 76.5 X 57.1 Cm © Courtesy of Ben Brown Fine Arts Hong Kong
Reclining Head of Julia II , 2008 Acrylic On Board 55.9 X 81.3 Cm © Courtesy of the Artist and Ben Brown Fine Arts Ltd
Primrose Hill Summer Sunshine, 1964. Arts Council Collection Southbank Centre Frank Auerbach © Courtesy Marlborough Fine Art
Ruth, 2006 Etching, Aquatint And Engraving © Frank Auerbach (courtesy Marlborough Fine Art).
Head of E O W II , 1964 © courtesy Marlborough Fine Art
Head of E.O.W., 1955 © Frank Auerbach
Bild und Headerbild oben (Detail): The Origin of the Great Bear, 1967/68, Ölfarbe auf Holz 114,6 X 140,2 Cm © Tate Britain
Head of J.Y.M ll, 1984-85 Oil On Canvas 660 X 610 Mm Private Collection © Frank Auerbach
Reclining Head of Julia II, 2015 Acrylic On Board 66 X 55.9 Cm © Courtesy of the Artist and Marlborough Fine Art
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Frank Helmut Auerbach (born 29 April 1931) is a German-born British painter. His work typically portrays either one of a small group of mainly female models, or scenes around London.

His work might broadly be described as expressionist. Many of his paintings display an extremely thick impasto, something which he was criticised for at his 1956 Beaux Arts solo show, where some of the paintings were displayed flat rather than hanging, for fear that the paint would fall off from its own weight. The impasto, which grew even heavier over the next decade (but later decreased, as he began scraping down his paintings more as he worked), is sometimes so heavy that the paint seems to have been sculpted rather than brushed on.

Auerbach does not prepare underpaintings, nor does he use outline sketches for portraits, and he relies on his sitters being able to reassume the same pose session after session. In contrast, he sketches landscapes in the field and brings the sketches back to the studio, sometimes using as many as 200 sketches for a single painting.

The first major retrospective of Auerbach's work was presented in 1978 by the Arts Council of Great Britain for the Hayward Gallery, London, and then toured to the Fruitmarket Gallery, Edinburgh. Other major shows have included "Frank Auerbach: Paintings and Drawings 1977–85" at the British Pavilion at the XLII Venice Biennale (1986), where he shared the Golden Lion prize with Sigmar Polke; "Frank Auerbach at the National Gallery: Working after the Masters" (1995), at the National Gallery, London, presented drawings made over a thirty-year period from paintings in the National Gallery's collection; a major retrospective at the London's Royal Academy in 2001. Many of his works are in the permanent collection of the Tate Gallery.


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