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Marta Utsler

Profile  |  Artworks
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Spitfire, 2013 Acrylic On Canvas 52 X 46 In. © Marta Utsler
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Eia-sur-mer, 2012 Acrylic On Canvas 28 X 28 In. © Marta Utsler
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Paducah, 2009 Acrylic On Canvas 30 X 30 In. © Marta Utsler
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Untitled, 2010 Acrylic On Canvas 50 X 41 In. © Marta Utsler
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In Retrospect, 2009 Acrylic On Canvas 30 X 30 In. © Marta Utsler
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Of Conformity with a Response, 2009 Acrylic On Canvas 50 X 46 In. © Marta Utsler
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Forms No. 1, 2009 Acrylic, Charcoal, Graphite On Panel 9.5 X 12 In. © Marta Utsler
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Forms No. 2, 2009 Acrylic, Charcoal, Graphite On Panel 9.5 X 12 In. © Marta Utsler
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Forms No. 3, 2009 Acrylic, Charcoal, Graphite On Panel 9.5 X 12 In. © Marta Utsler
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Forms No. 4, 2009 Acrylic, Charcoal, Graphite On Panel 9.5 X 12 In. © Marta Utsler
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Black and White with Ochre, 2008 Acrylic On Canvas 44 X 40 In. © Marta Utsler
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Orphan, 2008 Acrylic On Canvas 30 X 30 In. © Marta Utsler
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One Blue Line, 2008 Acrylic On Canvas 46 X 42 In. © Marta Utsler
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Run, Run With Me, 2008 Acrylic On Canvas 42 X 36 In. © Marta Utsler
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Red Line, 2007 Acrylic On Canvas 56 X 50 In. © Marta Utsler
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Grey No. 1, 2009 Acrylic On Canvas 14 X 11 In. © Marta Utsler
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Grey No. 2, 2009 Acrylic On Canvas 14 X 11 In. © Marta Utsler
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Light Breaks on the Island Sea, 2014 Acrylic On Canvas 35 X 35 X 1.5 Inches © Marta Utsler
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Far Side of Grey, 2015 Acrylic On Canvas 24 X 24 X 1.5 Inches © Marta Utsler
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Varied Senses, 2015 Acrylic On Canvas 16.5 X 11.75 X 1.5 Inches © Marta Utsler
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Kernow Light, 2015 Acrylic On Canvas 24 X 18 X 1 Inches © Marta Utsler
Marta_utsler
Quick Facts
Birthplace
UK
Lives in
Berwick-Upon-Tweed
Works in
Berwick-Upon-Tweed
Schools
Representing galleries
Velvet Easel, Edinburgh, The Flat Cat Gallery, Lauder and White Fox Gallery, Coldstream (Scottish Borders)
Tags
original art, acrylic, canvas, fine art black and white abstract
Statement

I am a painter who works in a non-representational style. The medium I use is primarily acrylic and my procedures are unplanned. The paint is built up with layers to create surface texture, altering and adding what is most essential to the development of the work. Through this editing process an application may be rejected  because it may become unrelated to the whole of the piece, forcing me to probe new approaches to modify an existing idea.

My marks have true purpose which translate into a unique form and ultimately into the final interpretation. From this, a mood is created and I believe my work has a passionate yet quiet drama, at times intense while other times sentimental, with an awareness of place and a sense of atmosphere. I continually push my limits, which transform me and allow me to evolve further.