Bigindicator

Janet Goldner

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20151110153421-2_ebola_detail
Ebola Came to Mali on a Bus, 2015 Steel, Gloves, Goggles 12 X 10 X 4 Feet
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Point of Water, 2008 Steel © Courtesy of the artist & Flomenhaft Gallery
20151110153426-3_fire_water
Fire and Water, 2014 Steel, Video, Sound 10 X 10 Feet
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Zig-Zags, 2014 Welded Steel
20151110153437-6_ideograms
Ideograms, 2015 Steel 3' X 8' X 3"
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Ideogram Book 1, 2010 Steel 24 X 18 X 10 Inches
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Ideogram Book 2, 2007 Steel 36 X 24 X 24 Inches
20151110153450-9_malibook
Mali Book Steel 15" X 11" X 14"
20151110153454-10_woven
Woven, 2015 Steel 30" X 18" X 3"
Trianglelandscape
Triangle Landscape Steel
20151110153459-11_interesting_times
Interesting Times, 2013 Photogrpahy 4 X 25 Feet
20151110153505-12_wealth_in_africa
Wealth in Africa, 2013 Photographs, Video, Sound, Mixed Media 32 X 40 X 2 Inches
20151110153508-13_detail
Wealth in Africa (detail), 2013 Photographs, Video, Sound, Mixed Media 40" X 32" X 2"
20151110153514-14_have_we_met
Have We Met?, 2007 Steel Sculpture, Video, Sound Installation
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Have We Met?, 2006 Steel Sculpture, Video, Sound Installation
20151110225517-330_2_zigzag_windows2
Zig-Zags Steel
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Bintou's Salon, 2009 Photograph © Janet Goldner
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The Fence separating Nogales, Sonora from Nogales, Arizona , 2014 Photograph © Janet Goldner
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Wealth in Africa, 2015 Steel © Janet Goldner
20160328172555-8841-sm
Photograph © Janet Goldner
20160328172623-925_fence-med
Fence separating Nogales, Sonora from Nogales, Arizona, 2014 Photograph © Janet Goldner
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20160328173002-14-07-crop
Quick Facts
Birthplace
Washington, DC
Lives in
New York City
Works in
New York City
Schools
Antioch College, BA
New York University (NYU), MA
Tags
research, sculpture, mixed-media, installation, video-art, photography
Artist's Statement

My work explores culture, identity and social justice in various media: sculpture, photography, video, installation and social projects. It consistently bridges diverse cultures, celebrating the unique beauty and genius of each as well as what we have in common. Cultural preservation is important to my work. My research takes the form of immersive field work. Annual visits to Mali provide inspiration.  My social consciousness and my deep and continuing interest in African art and culture also fuel my work. 

Social projects internationally and in the US include participation with diverse groups of artists and non-artists. I engage in long-term collaborations, particularly with Malian artists. We are all, at the same time, researcher and object of research producing dialogues and concrete works of art.

My life experiences play an integral part in the development of my work. A master welder, I work in three dimensions as well as on paper, on the floor, on walls, and suspended from the ceiling, indoors and outdoors. My work combines poetry, patterns, forms and African themes that engage in social discourse.

Born to a family of political activists, I grew up in Washington, D.C., immersed in the activism of the 1960's. The evolution of my sculpture traces my enduring exploration of sculptural form, my ongoing relationship with African culture, and my lifelong involvement in political activism.

I first traveled to West Africa as a college undergraduate.  Since my 1995 Fulbright Fellowship, I have traveled to Mali every year. I have received two Fulbright Senior Specialist grants and grants from the Ford Foundation and the UN Special Committee Against Apartheid.

Exhibition highlights include Multiple Exposures and Global Africa Project at the Museum of Arts and Design; Women Facing AIDS at the New Museum, Have We Met?, a major installation at Colgate University.  Permanent collections include the American Embassy in Mali, the city of Segou, Mali and the Islip Museum on Long Island, NY.

My work in the US and internationally includes cultural, educational and women's empowerment projects as well as commissions, exhibitions, collaborations, residencies, community art projects, public art projects. I have been working in Mali for more than two decades.  

http://www.janetgoldner.com