Princeton University, 1984, BA
Whitney Independent Study Progam, 1985
1984 B.A. Princeton University, Art History/Visual Arts; Louis B. Sudler Prize in the Arts
1985 Whitney Independent Study Program; Helena Rubenstein Fellow
2006 M.F.A. Milton Avery School of the Arts, Bard College; Elaine DeKooning Memorial Fellowship
2008 California Community Foundation Palevsky Fellowship for Visual Artists
2008 Sister and Cottage Home, Los Angeles
2007 Sister, Los Angeles
2006 Shane Campbell Gallery, Oak Park, Illinois
Sister, Los Angeles
2003 Shane Campbell Gallery, Oak Park, Illinois
2000 Debs & Co., New York
1998 Debs & Co., New York
Thomas Korzelius Fine Art, New York
1993 Ralph Wernicke, UNFAIR, Cologne
Margulies Taplin Gallery, Boca Raton, Florida
1992 BlumHelman Warehouse, New York
1991 Marc Jancou Gallery, Zurich
1990 Diane Brown Gallery, New York
1989 P.S. 1 Museum, Institute for Art and Urban Resources, Long Island City, NY
2009 Acme Gallery, Los Angeles
2008 California Biennial 2008, Orange County Museum of Art, Newport Beach
2007 Something about Mary, Orange County Museum of Art, Newport Beach
2006 Hotel California, Glendale College Art Gallery, Glendale, California
The Trace of a Trace of a Trace, Perry Rubenstein Gallery, New York
2005 Faure & Light Gallery, Santa Monica
2004 Where do we come from? What are we? Where are we going? Champion Fine Art, Los Angeles
8 artists, curated by Shane Campbell, Acuna Hansen Gallery, Los Angeles
Painting & Sculpture, Marc Moore Gallery, Santa Monica
Eastman, Weatherford & Arnold, Daniel Hug Gallery, Los Angeles
2003 Still or Sparkling, organized by Nancy Chaikin, John Connelly Presents, NY
Cats, Acme, Los Angeles
2002 The Stray Show, boom, Chicago
What a Painting Can Do, Hayworth, Los Angeles
Artists at Work, Michael's, Santa Monica
Simmer, Echo Park Projects, Los Angeles, organized by Ciara Ennis
New Angeles, The Ewing Gallery, The University of Tennessee, Knoxville
2001 New Angeles, curated by Bill Conger, Illinois State University, Normal
Sharing Sunsets, MOCA Tucson, curated by Julie Deamer
Modern Art from the Collection of Steve M. Jacobson, Mead Art Museum,
Amherst College, Amherst
Bloodlines, Roberts & Tilton, Los Angeles
Chicagoprojectroom & Laura Owens' studio, LA, CA, curated by Laura Owens
Eugene Binder, Long Island City, New York
People are (still) Animals, Susanne Vielmetter Los Angeles Projects, LA
2000 Paintland, a project by Terry Meyers, lemon sky and Schmidt Contemporary
as i love you you become more pretty, organized by Karin Gulbran, Los Angeles
People are Animals, Three Day Weekend event, ArtFrankfurt, Germany
1999 Drawing in the Present Tense, Parsons School of Design, New York
curated by George Negroponte and Roger Shepherd
Love, Cynthia Broan Gallery, curated by Douglas Kelley &/Michael St. John
Stars of Track and Field, Debs & Co., New York
Life in Space, a Three Day Weekend event at CCAC, San Francisco, CA
a ball and a bat, curated by Michael St. John, Pacific Northwest College of art
OM, Dorsky Gallery, curated by Joe Fyfe, New York
1998 Bowie, Rupert Goldsworthy Gallery, New York
Little, Jeffrey Coploff Fine Art Ltd., New York
1997 very Large Array, Debs & Co., New York
Primarily Paint, Museum of Contemporary Art, San Diego
What a Wonderful World, curated by Lithgow Osborne, Unfinished, Brooklyn
1995 Wall Street Walk, John Good, New York
A Vital Matrix, Domestic Setting, Los Angeles
1994 Whateva, Dru Arstark, New York
Don't Postpone Joy, or Collecting can be Fun, curated by Rudi Molacek,
Neue Galerie am Landesmuseum Joanneum, Graz& Austrian Institute, Ny
1993 A Chicken in Every Pot, Fawbush Gallery, New York
Aero, New York
The Bestiary, BlumHelman Gallery, New York
Cadavre Exquis, The Drawing Center, New York
Contemporary Drawing, Arena Gallery, New York
A Private View: Artists' Photographs, BlumHelman Gallery, New York
1992 Painting Culture, University of California at Irvine Fine Arts Gallery, Irvine
Postcards from Alphaville: Jean Luc Godard in Contemporary Art, 1963-1992,
P.S. 1 Museum, Long Island City
Ornament: Ho Hum All Ye Faithful, John Post Lee Gallery, New York
Paint, BlumHelman Gallery, New York
Tattoo Collection, Andrea Rosen Gallery, New York
Summer Show, BlumHelman Warehouse, New York
The Real Thing, curated by Eric Oppenheim, New York
Contemporary Surfaces, curated by Rick Ward, Pamela Auchincloss Gallery, New York
Abstraction, Betsy Senior Contemporary Prints, New York
1991 Synthesis, John Good Gallery, New York
Hybrid Abstract, curated by Joshua Decter, Usdan Gallery, Bennington College, Vermont
Lyric: Uses of Beauty at the End of the Century, White Columns, New York
Painting Culture, curated by Deb Kass, fiction/nonfiction, New York
Plastic Fantastic Lover (object a), BlumHelman Warehouse, New York
1990 Emerging Art 1990: Commodities Corporation Collection, New Jersey State Art Museum, Trenton
To Know a Hawk from a Handsaw, Wolff Gallery, New York
Collectors' Choice of Emerging Artists, Vered Gallery, East Hampton
Stendahl Syndrome: The Cure, Andrea Rosen Gallery, New York
New Directions, curated by Sam Hunter, S. Bitter Larkin Gallery, New York
Information, curated by Robert Nickas, Terrain Gallery, San Francisco
About Round/Round About, Anders Tornberg Gallery, Lund
1989 Drawings, Wolff Gallery, New York
Summer Show, Diane Brown Gallery, New York
1988 Indoor /Outdoor, El Bohio, New York
Christopher Knight, "45 Painters under 45," Los Angeles Times, Sunday, December 2, 2007, p. F1.
Amra Brooks, "Must See Art," LA Weekly, May 18-24, 2007 p. 68.
Brian Sholis, "Mary Weatherford, 6/19/06" in Critics' Picks www.artforum.com/archive/id=11213&search=weatherford, June 19, 2006.
Amra Brooks, "Mary Weatherford" in Los Angeles Round Up, http://www.artinfo.com/News/Article.aspx?a=10667, January 2006.
Roberta Smith, "Girls Gone Wild," The New York Times, Friday, July 4, 2004, p. B29.
"Girls Gone Wild," The New Yorker, June 30, 2003, p.24.
Julie Deamer, "Sharing Sunsets," www.cherry-art.com
Claudine Ise, "Couglan, Reeder, Root, Weatherford, chicagoprojectroom, Los Angeles,"
Tema Celeste, September-October, 2001.
Robert Mahoney, "Mary Weatherford", Time Out New York, January 4-11, 2001.
John Zinsser, "Painter's Journal",
"Mary Weatherford", The New Yorker, December 25, 2000; January 1, 2001.
Ken Johnson, "Mary Weatherford", The New York Times, December 22, 2000.
Joe Fyfe, "OM", Dorsky Gallery, exhibition catalog.
D.K. Row, "Painter's Paradise", The Oregonian, Feb 3, p. E1.
Barry Schwabsky, "Mary Weatherford: Works on Paper. Thomas Korzelius Fine Art, New York," Art on Paper, March April 1999, p. 64.
Nancy Princenthal, "Mary Weatherford at Debs & Co," Art in America, July, p.92.
Dale Peck, "Easter," Debs & Co. exhibition catalogue.
Brad Goldfarb, "Stop and Smell the Roses," Interview, May 1997.
Neil Kendricks, "Primarily Paint," The San Diego Union Tribune, February 6, 1997.
Robert L. Pincus, "Many Movements Render 'Paint' Lively but Random," The San Diego Union Tribune, March 2, 1997.
Toby Crockett, A Vital Matrix, exhibition catalogue: Domestic Setting, Los Angeles
Time Capsule: Creative Time.
Laura Cottingham, "The Feminist Continuum: Art after 1970," The Power of Feminist Art: The American Movement of the 1970's, History and Impact: Abrams.
Amine Haase, "Liebe hinter der Pansertur," Kolner Stadt Anzeiger, November 11, 1993.
J. Hoberman, "Jean Luc Godard: Picasso, Marx and Coca Cola," ARTnews, February 1993.
Meyer Raphael Rubenstein, Postcards From Alphaville, exhibition catalogue, P.S. 1 Museum
Dan Cameron, "Don't Look Now," Frieze, Issue 3, 1992.
Ken Johnson, "Mary Weatherford at BlumHelman Warehouse," Art in America, May 1992.
Tom Kalin, "Plastic Fantastic Lover (object a), Artforum, January, 1992.
Mary Weatherford, "Fleur du Mal," Tema Celeste, November 1992.
Eric Oppenheim, The Real Thing, exhibition catalogue
Timothy C. Wu, "A Rose Garden in New York City," Princeton Alumni Weekly, April 5, 1992.
"Mary Weatherford," The Print Collector's Newsletter, January 1992.
Zan Dubin, "Painting Themselves Out of a Corner," The Los Angeles Times, October 10, 1992.
Cathy Curtis, "Women's Work: Rich, Shocking," The Los Angeles Times, October 16, 1992.
Lydia Liberio, "What if Andy Warhol and Roy Lichtenstein had been Women?" The Irvine World News, October 15, 1992.
Catherine Liu, Plastic Fantastic Lover (object a), exhibition catalogue, BlumHelman Warehouse
Steven Evans, "Painting Culture," NYQ, November 10, 1991.
Michael Kimmelman, "Painting Culture," The New York Times, November 1, 1991.
John Zinsser, "Geometry and It's Discontents," Tema Celeste, autumn, 1991.
Elizabeth Hess, "Death to the Masters," The Village Voice, October 22, 1991.
K.K. Kozik, "Lyric," Cover, May 1991.
Gerrit Henry, "Stendahl Syndrome: The Cure at Andrea Rosen Gallery," Contemporanea, Nov 1990.
Sam Hunter, Emerging Art 1990, exhibition catalogue, New Jersey State Art Museum, Trenton.
Phyliss Braff, "Collectors' Diversified Choices," The New York Times, September 9, 1990.
Alastair Gordon, "11 Artists 'Emerge' at Gallery in East Hampton," Newsday, August 31, 1990.
Connie Sica, "Collectors' Choice in the Art Dance," The Sag Harbor Express, August 30, 1990.
stendahl Syndrome, The Cure, exhibition catalogue, Andrea Rosen Gallery, New York.
Lilly Wei, "Making Art, Making Money," Art in America, July 1990.
Robert Mahoney, "New York in Review," Arts Magazine, April 1990.
Sam Hunter, New Directions, exhibition catalogue, S. Bitter- Larkin Gallery, New York.
Alexandra Anderson, "Mary Weatherford at Diane Brown Gallery," ARTNOW, video magazine
Roberta Smith, " Fresh, Hot and Headed for Fame," The New York Times, January 5, 1990.
Alexandra Anderson, "The Next Generation," Smart Magazine, September-October, 1989.
Sandy Auriti, "New York," Cento Cose, November 1989.
The Brooklyn Museum, Brooklyn, New York
Brown Forman Corporation, Louisville, Kentucky
The Capital Group Companies, Los Angeles
Commodities Corporation, Princeton, New Jersey
Laguna Beach Art Museum, Laguna, California
Mead Art Museum, Amherst College, Massachusetts
Museum of Contemporary Art San Diego, California
National Museum of Women in the Arts, Washington DC
Orange County Museum of Art, Newport Beach
norfolk Southern Corporation, Norfolk, Virginia
Progressive Corporation, Clev