Bigindicator

Timothy Nolan

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20120610180859-restack_scribe_rule_slip2
Restack, 2012 Laminate, Plexiglass, Aluminum and MDF 51 X 104 X 145 Inches © Tmothy Nolan
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Stir, 2011 Laminate on Panel 144x192x1/2 © Timothy Nolan
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Layer, 2011 Blue, Green and Silver Tape on Walls 120x96x24 Inches
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Blue, Green and Silver Tape on Walls 120x96x24 Inches
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Tilt, 2010 Cut Vinyl on Glass 45"x45" © Courtesy of the Artist and Marx & Zavattero
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Scale, 2009 Printed Vinyl on Aluminum Dimensions Variable (approximately 100x120 Inches Here)
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Scale, detail, 2009 Printed Vinyl on Aluminum Dimensions Variable (approximately 100x120 Inches Here)
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Pitch, 2008 Laminate and Enamel on Panels Dimensions Variable (22x110x293 Inches as Shown) © courtesy of Carl Berg Gallery and Marx & Zavattero
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Pitch, detail, 2008 © courtesy of Carl Berg Gallery and Marx & Zavattero
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(L) Scale and (R) Pitch installation shot from COLA 08, 2008 © Timothy Nolan
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Pitch, side view, 2008 Laminate and Enamel on Panels Dimensions Variable (22x110x293 Inches as Shown) © Timothy Nolan
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Pitch, detail, 2008 © Timothy Nolan
Rise1
Rise, 2007 Paper Installation on Painted Wall 109 X 242 Inches © courtesy of Carl Berg Gallery
Snap
Snap, 2007 Wall Drawing With Silver and Gray Tape 252 X 413 Inches, at Kaus Austalis, Rotterdam, NL © courtesy of Carl Berg Gallery
Sway
Sway, 2007 Paper Installation on Painted Wall 192x151 Inches (at Torrance Art Museum) © courtesy of Carl Berg Gallery
Flex
Flex, 2006 White, Silver and Grey Pencil on Panel 40x45 Inches © courtesy of Carl Berg Gallery
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Edge, 2008 96x288x27 Inches © Timothy Nolan
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Chute, 2009 Tape Wall Drawing/installation at deHalle, Geel, Belgium © Timothy Nolan
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Chute, 2009 Tape Wall Drawing/installation at deHalle, Geel, Belgium © Timothy Nolan
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Torque, 2006 Watercolor and Gouache on Mulberry Paper 50" X 27"
Hmg_install_1
Installation shot at Marx & Zavattero (L) Slide and (R) Plane, 2006 Coverstock, Monofillament, Clips / Watercolor on Paper 15x9x8 Feet as Shown Here / 50x37 Inches © courtesy of Marx & Zavattero
Shift
Shift, 2004 Baking Powder/soda, Graphite Sifted Onto the Floor Through Diamond Shaped Template Dimensions Variable, 384x216 Inches as Shown Here Installed at Newspace Gallery, Los Angeles © Timothy Nolan
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Huddle, 2012
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Scribe, 2012
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Scribe, 2012
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Huddle , 2012 Vinyl on Panel 20" X 16" © Courtesy of the Artist and CB1 Gallery
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Restack (installation view), 2012
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Turning in the Widening Gyre, 2013
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The Soft and Sweet Eclipse, 2013 Collage on Paper 7" X15.25" © Courtesy of the Artist and CB1 Gallery
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The Constant Speed of Light, 2015 Latex Print on Samba With LED Light Box 72" X 54" © Timothy Nolan & CB1 Gallery
Portrait
Quick Facts
Lives in
Los Angeles
Works in
Los Angeles
Schools
Queens College, NY, 1992, MFA
Boston College, 1984, BA
Representing galleries
Tags
geometric-abstraction mixed-media installation, abstract, sculpture
Statement

My work examines and interprets fundamental patterns, geometry and systems of order which occur naturally and unnaturally, on purpose or by chance. Although nearly every image we now experience is digitized, these simple computer generated images rely on the same inevitable convergence of shapes and lines that has occurred in the physical world for millennia.

Over the last 20 years, I have explored the illusion of three dimensions that occurs with a play of pattern, line and shape in two dimensional wall work and floor installations. My work entered the three dimensional realm when I put funds from a 2008 COLA grant toward fabrication of a large installation work that employed light, shadow and reflection to reference the geometry of crystal formations. It challenged viewers’ perception, requiring them to process and reprocess their visual field in order to distinguish and understand the physical planes and surfaces from the illusion of form and space created by the work.

This spurred a highly fertile period for me. I expanded my practice to include not only studio work and gallery presentations, but projects in the public realm. My work continues to address the play of two and three dimensions at a variety of scales that blur the lines of permanence and impermanence, solid form and illusion.

CV

Education:

Queens College, CUNY, Flushing, NY M.F.A.
Art Students League, New York, NY Merit Scholar
Boston College, Chestnut Hill, MA B.A.

Solo Exhibitions:

2012
RESTACK, CB1 Gallery, Los Angeles, CA (opens April 1)

2010
TILT, Marx & Zavattero, San Francisco, CA

2009
LIFT, Carl Berg Projects @ Pacific Design Center, West Hollywood, CA
HITCH/SCALE, Art Exhibits Program at LAX, Terminal 2, Los Angeles, CA

2008
EDGE, Phantom Galleries, LA, Title Guarantee Building, Los Angeles, CA
Contemporary Art Program at Magic Theatre, San Francisco, CA

2006
SEQUENCE, Heather Marx Gallery, San Francisco, CA

2004
AMALGAMATE, Heather Marx Gallery, San Francisco, CA
SHIFT, Newspace, Los Angeles, CA
VIEW, newspace@twentieth, Los Angeles, CA

2001
LINK, Newspace, Los Angeles, CA (catalog)

2000
CURVE, Newspace, Los Angeles, CA

1998
TRIM, Newspace, Los Angeles, CA

1997
STEP-UP, Post Gallery, Los Angeles, CA

1995
WORK, Newspace, Los Angeles, CA (catalog)

1993
SOLO SERIES, Angel's Gate Cultural Center, San Pedro, CA (catalog)

1991
RE-ARRANGED, Queens College Gallery, Flushing, NY

Selected Group Exhibitions:

2012
OBSCURED LINES, Los Angeles, Valley College, Valley Glen, CA

2011
SITE 92, Smack Mellon, Brooklyn, NY
SEA CHANGE, Marx & Zavaterro, San Francisco, CA
PERSONIFIMOTION, Mt. San Antonio College Gallery, Walnut, CA

2010
AXIS MUNDI (3-person show), CB1 Gallery, Los Angeles, CA
BORG, HILL, NOLAN, Jancar Projects, Los Angeles, CA

2009
TRAJECTORY (2-person show), Schiltkamp Gallery at Clark University, Worcester, MA
DRAWING ACTIONS, de Halle, Geel, Belgium (catalog)
MODES OF ABSTRACTION, Carl Berg Gallery at the Pacific Design Center, Los Angeles, CA
4th of July, One Week Only, Jancar Gallery, Los Angeles, CA
FIVE NIGHT STAND, Westin Bonaventure, Los Angeles, CA
SUPER ELASTIC, Phantom Galleries LA, Pacifica Building, Long Beach, CA

2008
COLA 2008, Los Angeles Municipal Art Gallery, Los Angeles, CA (catalog)
TREE SERVICE, domestic setting, Los Angeles, CA
SOUTHERN EXPOSURE, Ruby Green Contemporary Art Center, Nashville, TN
NON-OBSTRUCTIVE, Irvine Fine Arts Center, Irvine, CA
Panopti(con), Bank Gallery, Los Angeles, CA
EDGES & BOUNDRIES, Jancar Gallery, Los Angeles, CA

2007
FRACTAL (3-person show), Carl Berg Gallery, Los Angeles, CA
THEMES & VARIATIONS, New Abstraction in Los Angeles, Torrance Art Museum, Torrance, CA
Elizabeth Aro & Timothy Nolan, Stichting Kaus Austrailis, Rotterdam, NL
ABSTRACTION & LANDSCAPE, 98 Ten Gallery, Irvine, CA

2006
DELICACY (3-person show), Bandidni Art, Culver City, CA
MAJOR DRAWING, Carl Berg Gallery, Los Angeles, CA
MATERIALWISE REVISITED, Domestic Setting, Los Angeles, CA
GOOD TO GO, Newspace, Los Angeles, CA

2005
REPEAT PERFORMANCE, Anthony Grant Gallery, New York, NY
QUICKENING, Tucson Museum of Contemporary Art, Tucson, AZ
THE SHAPE OF SPACE, Arena 1 Gallery, Santa Monica, CA
ASIAN INFLUENCE?, LMan Gallery, Los Angeles, CA (catalog)
HANDS-ON, Pasadena Armory Center for the Arts, Pasadena, CA

2004
ART ON PAPER, Weatherspoon Art Museum, Greensboro, NC (catalog)
HUMAN PRESENCE: The Geometry of Color, San Diego Museum of Art, San Diego, CA
TINSELTOWN TOO, Domestic Setting, Los Angeles, CA
Scaping the Planar Nubium, Fullerton College Art Gallery, Fullerton, CA
THREE SOME, Newspace, Los Angeles, CA

2003
L.A. Pattern & Decoration, Rosamund Felson Gallery, Santa Monica, CA
SCOPE, Dylan Hotel, New York, NY; Townhouse Hotel, Miami, FL
INTERWEAVE, Pierce College Gallery, Woodland Hills, CA
NEW SCULPTURE, Newspace, Los Angeles. CA

2002
WEST COAST, Artaffairs, Amsterdam, The Netherlands
Stichting Kaus Australis, Rotterdam, The Netherlands
ZONE, Cerro Cosa College, Ridgecrest, CA

2001
BY HAND, University Art Museum, CSULB, Long Beach, CA (catalog)
100 PERCENT RAG, POST Gallery, Los Angeles, CA
PIEROGI IN KANSAS CITY, Block Artspace, Kansas City, MO

2000
PIEROGI IN L.A., Post Gallery, Los Angeles, CA
MURAL, Irvine Fine Arts Center, Irvine, CA
NEW SCULPTURE, Newspace, Los Angeles, CA
pure de(Sign), Otis College of Art and Design Gallery, Los Angeles, CA
ELEGANT WHIMSY, Torrance Fine Arts Center, Torrance, CA
THE SPURGEON EXPERIENCE II, Spurgeon Building, Santa, Ana, CA
MILLENNIAL TENSION, Post Gallery, Los Angeles, CA
PEOPLE AS MATERIAL, CCAC Gallery, San Francisco, CA

1999
ROOM SERVICE, The Living Room, Santa Monica, CA
DRAW PLAY, Miller Durazo, Los Angeles, CA
NEW ATTITUDES, Art Frankfurt, Frankfurt, Germany
GRID LOCKED, Weingart Center Gallery, Occidental College, Los Angeles, CA
Hubcap Star Diamond..., Peggy Phelps Gallery, Claremont Graduate University, Claremont, CA

1998
NUANCE, Patricia Sweetow Gallery, San Francisco, CA
NEW ATTITUDES, Art Frankfurt, Frankfurt, Germany
ART ZURICH, Zurich, Switzerland

1997
NITTY GRITTY, Newspace, Los Angeles, CA
ART BUFFET, Contemporary Arts Collective, Las Vegas, NV
GRAMERCY ART FAIR, Chateau Marmont, Los Angeles, CA

1996
AN EMBARASSMENT OF RICHES, Huntington Beach Art Center, Huntington Beach, CA
SIMPLE MEANS, Montgomery Gallery, Pomona College, Claremont, CA
Pierce College Gallery, Woodland Hills, CA
MATERIALWISE NL, Galerie Markant, Langelo, The Netherlands
7:24:52 PM, LASCA Gallery, Los Angeles, CA
USEFUL THINGS, Newspace, Los Angeles, CA
GRAMERCY ART FAIR, Chateau Marmont, Los Angeles, CA

1995
SUBTLE VOICES, The Korean Cultural Center, Los Angeles, CA
NEW DIRECTIONS, Barrett House Galleries, Poughkeepsie, NY
SOFT TOUCH, Newspace, Los Angeles, CA
GRAMERCY ART FAIR, Chateau Marmont, Los Angeles, CA

1994
FRISK, Thomas Solomon’s Garage, Los Angeles, CA
AS WE LIKE IT, Side Street Projects, Santa Monica, CA
BALLS, Newspace, Los Angeles, CA

Fellowships and Residencies:

2012
Djerassi Resident Artsists Program, Woodside, CA

2010
The Durfee Foundation ARC Grant, Santa Monica, CA

2008
COLA Fellowship Grant, Department Cultural Affairs, Los Angeles, CA

2007
Stichting Kaus Australis, Rotterdam, Netherlands

2006
Djerassi Resident Artsists Program, Woodside, CA
James Irvine Foundation Honorary Fellowship, San Francisco, CA

2004
Edward F. Albee Foundation, Montauk, NY

2002
Stichting Kaus Australis, Rotterdam, Netherlands

2001
The Pollock-Krasner Foundation, New York, NY
The Ucross Foundation, Clearmont, WY

2000
The Corporation of Yaddo, Saratoga Springs, NY

1992
Angel’s Gate Cultural Center, San Pedro, CA

1991
Vermont Studio Center, Johnson, VT

Selected Collections:

Fine Arts Museums of San Francisco, de Young Museum of Art,
San Francisco, CA
Portland Art Museum, Portland, OR
Community Hospital of the Monterey Peninsula, Monterey, CA
The Capital Group, Los Angeles, CA
Gray, Cary, Ware and Freidenrich, LLP, San Francisco, CA

Selected Bibliography:

Turner, Chérie Louise, Editorial Pick / This Week's Top Exhibitions, Visual Art Source / Huffington Post, August 17, 2010.
Swanhuyser, Hiya, Folded Metal, SF Weekly, July 21, 2010.
Nys Dambrot, Shana, 'Axis Mundi', Flavorpill, March, 2010.
Carasso, Roberta, Artistic Elements, Coast, October 2009, p. 192-3
Smoke, Joe. Catalog Essay, COLA Fellowship Exhibition Catalog, May 2008.
Kugelman, Kerry. COLA Awards, Art Ltd., May 2008.
Frank, Peter. ‘Themes & Variations’ at Torrance Art Museum, Artweek, November 2007.
Calder, Dianne, Continuing and Recommended, Artscene, January 2007.
Harmanci, Reyhan, Last Chance: Timothy Nolan, San Francisco Chronicle, July 6, 2006.
Mizota, Sharon, Sequence, SF Weekly, June 28, 2006.
Frank, Peter. ‘Major Drawings’ at Carl Berg Gallery, Artweek, April 2006.
Ollman, Leah. The Definition of Drawing Expanded, Los Angeles Times, March 10, 2006.
Repeat Performance, The New Yorker, August 22, 2005.
Frank, Peter. Pick of The Week – Three Some, L.A. Weekely, July 16, 2004.
Pagel, David. Freewheeling With The Help of Grids, Los Angeles Times, July 2, 2004.
Gleason, Mat. Nolan, Szymanski, Zammitt, Artscene, July/August, 2004.
Roth, Charlene. ‘Timothy Nolan: Shift’ at Newspace. Artweek, May 2004.
Knight, Christopher. Patterns Emerge Through Meditation. The Los Angeles Times, March 19, 2004.
Roth, Charlene. LAPD at Rosamund Felson. Artweek, November 2003.
Roth, Charlene. Timothy Nolan at Newspace. Artweek, December 2001/January 2002.
Knight, Christopher. Industrial Strength. The Los Angeles Times, November 2001.
Iannaccone, Carmine. No Textile Without a Text. Link Catalog Essay, October 2001.
Myers, Holly. ‘By Hand’ Embraces Inconvenience. The Los Angeles Times, September 19, 2001.
Lombino, Mary-Kay,. By Hand. Catalog Essay, August 2001.
Cheng, Scarlet. Look Ma, No Computers. The Los Angeles Times, August 26, 2001.
Mason, Wyatt. Mason vs. The Living Dead. Artkrush.com, July 2001.
Martin, Victoria. New Sculpture at Newspace. Artweek, September 2000.
Frank, Peter. Pick of the Week – Pure de(Sign). LA Weekly, April 14, 2000.
Ollman, Leah. Humorous Order. The Los Angeles Times, March 20, 1998.
Ontiveros, Mario. Timothy Nolan: Work; Newspace. zingmagazine, Autumn/Winter 1996/97.
Comba, Steve and Rebecca McGrew. Simple Means. Catalog Essay, September 1996.
Curtis, Cathy. ‘Riches’ Spins Its Gold From Everyday Straw. The Los Angeles Times, October 14, 1996.
Geer, Suvan. ‘An Embarrassment of Riches’ at HBAC. Artweek, November 1996.
Iannaccone, Carmine. Modern Times, The Clown and The Contemporary Sculptor. L.A. Weekly, October 4, 1996.
Knode, Marilu. An Embarrassment of Riches. Catalog Essay, September 1996.
Roth, Charlene. Timothy Nolan at Newspace. Artweek, February 1996.
Vielmetter, Susanne. Useful Things, Catalog Essay April 1996.
Wilson, William. ‘Means’ Finds New Meanings in Old Schools of Thought. The Los Angeles Times, September 7, 1996.
Anderson, Isabel. Timothy Nolan. Artscene, November, 1995.
Berg, Mary Helen. Best Bet: Solo Series of Three. The Los Angeles Times, April 18, 1993.
Frank, Peter. Aesthetics of Stuff From 99-Cent Stores. The Long Beach Press-Telegram,
May 16, 1993.
Gottleib, Shirle. South Bay...In and Around Long Beach. Visions Art Quarterly, Winter 1993.
Leffingwell, Edward. Beyond Arm's Reach. Solo Series Catalog Essay, July 1993.
Levin, Kim. Art in View: Forced Entry. The Village Voice, July 14, 1993.
Littlefield, Kinney. Teasing Visual Double-Entendre in Provocative Exhibit.
The Long Beach Press-Telegram, June 14, 1992.