Jamie Levine

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Chimera, 2012 Mixed Media, Resin, Oil Paint, Ram's Horns 19x12x10.5
Come Play With Me, 2012 Mixed Media, Resin, Paper Mache, Oil Paint. Swing: Wood, Rope. 13x14
Primate Babies, 2013 Painted Metal Cages, Fabric, Foam Pads, Silicone, Silicone Pigment, Faux Eyelashes, Human Hair, Plastic Breathing Mechanism, Batteries. 57x24x17"
Hominidae Giraffa Camelopardalis, 2012 Mixed Media, Paper Mache, Oil Paint, Silicone, Acrylic Nails, Nail Polish, Human Hair. Base: Wood, Mirror. 8.5x2.5"
Unknown Composer, 2012 Goat's Hair, Cast Resin, Oil Paint, Chicken Toes, Black Ribbon, Fiberglass. 18x13x8
Giraffer Toddler,, 2013 Mixed Media Variable
(detail) Giraffe Toddler, 2013 Mixed Media
(detail) Giraffe Toddler, 2013 Mixed Media
(detail) Giraffe Toddler, 2013 Mixed Media
Funny farm, 2012 Bronze, Acrylic Teet, Semi Precious Stones. 9x7
Quick Facts
Lives in
New York region
Works in
New York region
Montclair State University Graduate College of the Arts, 2013, MFA
Syracuse University, 1980, BFA
figurative, sculpture, mixed-media, installation, performance, conceptual, traditional, exhibition/performance
artist statement

The classical Greek image of the mythological Chimera was that of a monstrous, female,

fire-breathing creature: an incongruous mixture of the head of a lion, the body of a goat,

and the tail of a dragon. Humankind has imagined and portrayed fantastical creatures

since the beginning of time. But today this ancient myth exists in biotechnologically

engineered forms. The current scientific definition of 'chimera' is any organism composed

of cells derived from at least two genetically different zygotes. Translation: featherless

chickens (bred for ease of production); mice with human brain cells; hybridized creatures

like the geep (sheep+goat), liger (lion+tiger), beefalo (buffalo+cow), and donkra (donkey

+zebra). Most recently, the world’s first primate chimeras have emerged, created from

several different species of monkey embryos. Might not human/animal chimeras be next?

My current body of work is inspired by these modern-day chimeras, however I pick up

where science leaves off, fusing the animal with the human. Details and craftsmanship

are key elements in my work, as I seek to create seamless, lifelike forms. I have cast, for

example, the bodies of a raw chicken and a human doll baby in resin, taking pains to

unify the seemingly 'separate' elements into plausible whole. Often, my creatures sport

weird, disturbing, or unexpectedly sexy body parts. I have mixed the body of a giraffe

with the cast head of a female mannequin, her face "made up" with false eyelashes and

her mouth filled with acrylic casts of my own teeth. If viewers look into the mirrored tiles

that cover the plinth on which she stands, they will see a reflection of the human vagina I

placed on her underbelly. Overall, my hybrid creatures are vulnerable, whimsical, and can

act as lighting rods for the viewer's catharsis. Although grotesque, they appear utterly

real. Questions seem to issue from their parted lips: "If I could talk, what would I say?"

"Are you, as humans, ready to listen?"

Working for so many years with hybrid forms has helped me see myself as a mixture:

mother/professional artist; instinctive animal/wise woman; healer/sufferer. I've learned a

great deal about humanity in adopting the part-beast as my own. This work has taught me

that to be fully human is a process, a verb, a goal towards which we must all aspire rather

than a static state of entitlement. Animals, driven by instinct, teach us to trust our inner


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