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Regan O'Callaghan

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Aguaje – Fire in the Belly, Installation Sachaqa Art Centre, Peruvian Amazon 2013. San Roque Clay And Bombonaje Palm, Aguaje Seeds Height 2 Meters, © Regan O'Callaghan
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Exhibition Esperanza's Restaurant, 2013 Photography © Regan O'Callaghan 2013
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For the Love of Mojacar la Vieja, 2012 Installation, Mixed Media © Regan O'Callaghan
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Anchorage, 2015 Site Specific Installation And Performance © Regan O’Callaghan 2016
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Anchorage III 2014, 2014 © Regan O'Callaghan
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I am the House the House is Me - Song of the Huia, 2015 Site Specific Installation And Performance © Regan O’Callaghan 2015
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The Slippery Longfin Eel of New Zealand., St. Paul’s Cathedral London 2017. Acrylic Rods And Clerical Collars Length 21 Meters © Regan O'Callaghan
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Sachaqa Salutation, Sachaqa Art Centre 2018 © Regan O'Callaghan
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Make A shrine for you II, 2012 Installaion © Regan O'Callaghan
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Wisbech, 2011 Mixed Media © Regan O'Callaghan
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Quick Facts
Birthplace
New Zealand
Birth year
1967
Lives in
London
Works in
London
Schools
Brunel University, 97, BA
Kings College London, 98, MA
Chelsea School of Art and Design, University of the Arts, London, 2016, MA
Tags
figurative, sculpture, mixed-media, installation, video-art, performance, conceptual, modern, traditional, photography, exhibition/performance, photo
Biography

Regan O’Callaghan is an artist who lives in London, England.  Originally from New Zealand he moved to the United Kingdom in 1993 where he later studied art and religious studies including the technique of icon writing (painting).   In 2001  Regan was ordained into the Church of England.  He combines his religious ministry with art leading many art projects and workshops as well as painting a number of commissions including an icon for Saint Paul’s Cathedral London.  He believes in a ministry of encouragement where art is the facilitator. Today Regan’s art practice has built on the  technique of icon writing combining contemporary themes with  traditional techniques.   He is inspired by the natural environment and humankind’s relationship/connection with their surroundings.

Artist Statement

The nature of my practice is based on the application of contemporary and traditional techniques and the morphing of different  religious themes and symbols in painting, installations and video.   All my work explores ideas of ritual, the sacred and profane with the intention of drawing the viewer into challenging realms of order and chaos, apophatic and cataphatic, light and dark.

Exhibited with these artists
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