Bigindicator

Patrick Todd

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20130213152657-hullaballo_1_patrick_todd_false_flag_event
False Flag Event, 2012 Oil on Canvas 16" X 20" © Patrick Todd
20130730151905-avocado_vs
Avocado vs. Pomogranate, 2013 Oil on Canvas 16" X 20" © Patrick Todd
20130817014716-future_crime_monitor
Future Crime Monitor, 2012 Oil on Canvas 16" X 20" © Patrick Todd
20130817014842-unraveled
Unraveled, 2013 Oil on Canvas 16" X 20" © Patrick Todd
20130817015003-time_travlera
Time Traveler, 2012 Oil on Board 12" X 16" © Patrick Todd
20130817015117-pure_luck
Pure Luck, 2013 Oil on Canvas 16" X 20" © Patrick Todd
20130817010848-dscf0007
Quick Facts
Lives in
Brooklyn
Works in
Brooklyn
Schools
CW Post Long Island University, 1997, MFA
cal state fullerton, 1993, BFA
Tags
abstract, sculpture
Statement

For me, the act of artmaking is more one of channeling than self-expression, per se -- a bridging of the reams of the Unconscious and Conscious rather than the translation of my perceptual data into imagery or my desires into form. This aligns me more with Ancient, pagan worldviews (and their respect for received knowledge), than with the Western intellect-based approaches. That said, a host of Western thinkers, artists, and philosophers have deeply influenced me on this path: 19th-century spiritual and self-knowledge movements like Theosophy and Hermetic Philosophy; 20th-century writers like Joseph Campbell (and similar anthropological-spiritual approaches that synthesize Judeo-Christian symbologies and storytelling and Eastern wisdom); modern-day, shaman-style artists like Joseph Beuys; and contemporary practitioners such as Bruce Nauman, Robert Irwin, and David Hockney, who engage with some of the things in life that fascinate me: behavior, perception, color.

You'll see a number of themes re-emerge throughout my work, as diverse as my output may initially seem. I'm obsessed with birth; horizons (both as passage from spiritual to physical State, as well linear demarcation) figure prominently throughout my photography, installation, sculpture; I like visual puzzles and geometries of all kind (my recent paintings bear this out, in particular); and when I work figuratively (as in my installations from the mid 1990s), it's often with a mind towards using some representation of smaller self in the quest for higher Self, like a pawn in a larger chess game. No matter a piece's subject matter, however, I strive to make myself emotionally accessible throughout my art.

Some artists feel that working in numerous mediums puts them at a disadvantage with their audience and scatters their energies, but my viewpoint is quite the opposite. I try to direct each spoke of my artistic wheel inwards towards a central hub; I siphon the unique expressive energies of painting, sound, installation, photo, directing them toward a greater Flow of self knowledge and aesthetic satisfaction.