I am a mixed media artist working to heighten public awareness by visually demonstrating cultural issues.
My process begins with the act of observation— assessing the complexity of the culturally rooted traditions and social issues that inform and shape people’s lives.
I study landscape evolution, human preconceptions, use of natural resources, similarities and differences between societies, cultures, and cities. I take this information and translate my findings into multimedia and found-object installation art.
Repurposing these found materials allows me to explain complex social issues to the public from a new angle. I choose my medium according to what best speaks to the audience I wish to reach with a particular work.
My work examines the relationships between objects, their intended use and their potential. For me these relationships are a metaphor for the human condition.
Carlo Sampietro is an Italian mixed media artist based in New York City. He enjoyed a successful career as an art and creative director at advertising agencies in London, Milan and New York before shifting focus to contemporary art. His work is primarily focused towards exploring social and cultural responsibilities that we face and create as urban citizens. His observations of landscape evolution, human preconceptions, use of natural resources, similarities and differences between societies, cultures, and cities are translated into multimedia and found-object installation art.
In 2010, he exhibited his first major series The Street is in The House, a body of work that transmutes elements of urban life into objets d’art, in a guerilla-style pop-up gallery on the Lower East Side. Sampietro harnessed objects that outlived their original uses, were discarded, reclaimed and renovated: traffic barrels became plush lounge chairs, a sewage tube was transformed into a modular couch on his piece Cloche Sofa. Police barricades were transformed into minimalist table legs; tabloid newspaper dispensers doubled as fully functional dishwashing machines, chilled wine storage units, elaborately staged dioramas and fish tanks. In these early works, Sampietro dismantled established value structures and elements of social control, communicating his ideas via a visual language based on high design, hybridity and humor.
Sampietro’s investigation into facets of the urban condition continued with PopDogs, an ongoing art installation/action first exhibited at Figment, NYC 2013. The work is a gargantuan edifice – a popcorn machine that spews plastic dogs at an alarming rate – a symbolic parallel to canine overpopulation in urban centers as the catastrophic result of human ignorance and the immutability of desire.
In 2012, Sampietro created his first piece of experimental video art, Bunda Pandeiro, where he explored the rules of gender and race in the contemporary world. In Brazilian slang, Bunda Pandeiro is used to describe attractive buttocks by referring to them as a tambourine. Each participant is transformed into a musical instrument. This “body concert” is a metaphorical representation of the “tambourine,“ which has no gender, ethnicity or sexual orientation but is defined simply from the sound that it makes.
In 2014, he began work on Manhattan Onimod, an observation of a social aspect that is occurring in megalopolises around the word. Manhattan Onimod is a symbolic representation of the high-speed, perpetual evolution of a highly populated city, its growth, movement and explosive expansion. The frantic rhythm of emerging economies dictates urban landscapes, businesses and landmarks. Glass skyscrapers replacing historical housing, corporate franchises pushing out the old bodegas, stadiums doubling their seats but not the quality of the view.
Sampietro’s ability to reshape common objects into meaningful amalgams has quickly garnered him critical acclaim. Sampietro received first prize for his art design piece Cloche Sofa from the jury A’ Design Award (2014). His short Bunda Pandeiro won in the Experimental category in the Tirana International Film Festival (2013)and the Brooklyn Film Festival (2013) His piece Cloche chair, Premio Scultura Urbana won the Celeste Prize (2010).
His work has appeared in exhibitions at Berlin Short Film Festival, Figment (NYC), Dumbo Art festival, Galleria Rossana Orlandi (Milan), the Museum of Design (Como) and Barcelona contemporary Art Festival. His work has been featured in The Financial Times, The Washington Post, El Pais, Corriere Della Sera, Public Art Review, among other publications.
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