Bigindicator

Kyle Surges

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20140424015416-faithful_nichols
Faithful Nichols, 2014 Oil On Panel 16" X 12" © Courtesy of artist
20140107152140-packaged_yo-yo
Package Yo-Yo, 2013 Oil On Panel 10" X 10" © Courtesy of artist
20140424015820-radio
Radio, 2014 Oil On Panel 16" X 12" © Courtesy of the artist
20151005143610-wwii_rations
WWII Rations, 2015 Oil On Panel 9" X 18" © Courtesy of the Artist
20151019145119-rock_n_roll_at_78rpm
Rock N Roll at 78 rpm, 2014 Oil On Panel 16" X 16" © Courtesy of Artist
20151019145253-red_ryder_300ppi
Red Ryder, 2013 Oil On Panel 16" X 48" © Courtesy of Artist
20151019145412-walked_in_lincoln_s_steps300ppi
Walked in Lincoln's Steps, 2013 Oil On Panel 54" X 18" © Courtesy of Artist
20151019145529-remembering_iwo_jima
Remembering Iwo Jima, 2015 Oil On Panel 18" X 24" © Courtesy of Artist
20151019145653-weiner_whistle
Weiner Whistle, 2013 Oil On Panel 4" X 6" © Courtesy of Artist
20160511180508-headshot
Quick Facts
Birth year
1989
Schools
American Academy of Art
Representing galleries
Tags
photorealism, hyper-realism, hyperrealism, trompe-l'oeil, pop
Artist Statement

My paintings are derived from close visual observation. Primarily my subjects are manufactured items; of which I find their surfaces beautiful, and I enjoy the challenge of accurately recreating them in paint. Mainly, I prefer a smooth panel on which to work because it allows me to paint small detail. It also allows the paint to communicate to the viewer without interruption from textures of the physical surface. I prefer to pair these items with a minimalistic background to heighten the emphasis on the object. Often I paint them their actual size to add to the simulated reality of the paint.  

Pop artists utilized mass-produced objects to create a dialogue between high and low culture. My work is rooted in that dialogue. I consider myself a sort of pop realist. Objects I choose are based  on my fascination with manufactured items; mostly vintage and sometimes witty things. They are often bits of discarded Americana that still hold some factor of importance in the present day. Over time everyday items make the transformation from ordinary to collectable. They inherit nostalgia and plead to be preserved. I like to present these items as sort of cherished icons and let the object dictate the theme of the painting. Some pieces can be historical while others are rather simple, amusing juxtapositions. These are items that require close observation in order to correctly present them. In my opinion, accurately representing these objects in paint is the only clear method for the viewer to identify these objects.     

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