Bigindicator

Michael Ireland

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20140830145031-dsc_0476
Weapons Of Mass Destruction#1, 2014
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20140830145141-dsc_0473
20121204212429-mireland_morning_in_the_tall_grass
Morning in the Tallgrass, 2012 Transparent Watercolor 45" X90"
20121204212842-leaves_fall
Fall Leaves/Leaves Fall, 2012 Transparent Watercolor 38" X 58"
20121204213725-mireland_connections
Connections, 2010 Transparent Watercolor 4' X 9' (10" ) Tile Grid
20121204213937-dsc00347
Dancing Light, 2010 4 Color Etching on Plate Glass 96" X 192"
20121204214250-tall_grass
Big Sky /Tall Grass, 2011 Transparent Watercolor 30" X 60"
20121204214646-m_ireland_autumn_waves
Autumn Waves, 2012 Transparent Watercolor 30" X 60""
20121204231842-mireland_closer_to_the_shore
Closer to the Shore, 2009 Transparent Watercolor 24" X 70"
20121204232206-the_paths_we_choose_passion
The Paths We Choose/Passion, 2010 Transparent Watercolor 20" X 60"
20121205005700-mireland_purple_passion
Purple Passion, 2012 Transparent Watercolor 40" X 40"
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Moment of Grace, February 2013 Transparent Watercolor 48"H X 240"W
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The Journey Begins, 2013 Transparent Watercolor 44"h X 164"w © 2013
20121204203339-biophoto_lo_res
Quick Facts
Birthplace
Chicago
Birth year
1952
Lives in
Cary, IL
Works in
Cary, IL
Schools
American Academy of Art, Chicago, 1970
Representing galleries
Freed Gallery, Hilligoss Gallery, FineLine Designs
Tags
painting, abstract, landscape, traditional
Statement

 

 

Michael Ireland Artist Statement

I’ve come to understand the true art of watercolor for me is within the painting process itself. It is the brush washing the paper with color, the colors merging upon the texture of the paper, the combination of techniques and lessons learned from painting and then painting even more. And hopefully, upon completion of the art, a “work” of art is produced. But that is not necessarily the point. It is the painting process itself that is so important.

My paintings are consistent in traditional transparent watercolor technique...working to achieve the balance of light and shadow through a transparent glazing wash, allowing the white of the paper to delineate any and all white areas of the scene itself. It becomes a very disciplined painting style that simultaneously works to deliver a result exuding both spontaneity and control. Within my landscapes, I paint with particular attention to design and balance of color/light.

Much of my work is executed in a fairly large scale and large format by transparent watercolor standards. I enjoy the challenge of reining in a huge wash and working over the full sheet with the sweep of each color pass and the ability to weave details of color all the while defining form within form. My goal is to create a piece that is as interesting up close as it is simple and strong from afar. Recent works have ranged from 96”W x 45”H to over twenty feet in length. My preferred watercolor paper is Arches 300 # though the large formats have dictated the use of Aquaboard, a large masonite board with a gesso-like absorbent base coat. Once finished, a UV varnish is then applied eliminating the need for mattes or glass.

I hope you enjoy viewing the finished art works as much I have enjoyed painting them. - Michael

Exhibited at these venues
Michael Ireland has Exhibited at these venues: